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Tracklist 00:00 1 The Japanese Sandman 02:30 2 A Pretty Girl Is Like A Melody 05:23 3 I Used To Be Above Love 08:25 4 No Regrets 10:31 5 South Sea Island Magic 13:49 6 It Ain't Right 17:01 7 Sugar Foot Stomp 20:26 8 Thou Swell 23:37 9 You're Giving Me A Song And A Dance 26:54 10 Darling, Not Without You 30:05 11 One, Two, Button Your Shoe 32:55 12 Let's Call A Heart A Heart 36:22 13 The Skeleton In The Closet 39:06 14 There's Something In The Air 42:25 15 Take Another Guess 44:59 16 There's Frost On The Moon 47:56 17 Love And Learn 50:42 18 Moon Face 53:38 19 The Same Old Line 56:32 20 You Can Tell She Comes From Dixie Bass [String Bass] – Ben Ginsberg (tracks: 5 to 20), Hank Wayland (tracks: 1 to 4) Clarinet, Directed By – Artie Shaw Drums – George Wettling (tracks: 13 to 20), Sammy Weiss (tracks: 1 to 12) Guitar – Gene Stultz (tracks: 5 to 12), Tony Gottuso (tracks: 13 to 20), Wes Vaughan (tracks: 1 to 4) Liner Notes [October 1995] – Anatol Schenker Piano – Fulton McGrath (tracks: 1 to 4), Joe Lippman (tracks: 5 to 20) Strings – Ben Plotkin (tracks: 9 to 12), Bill Schumann (tracks: 13 to 20), Franf Siegfield (tracks: 13 to 20), Jerry Gray (tracks: 5 to 20), Jimmy Oderich (tracks: 1 to 12), Julie Schechter (tracks: 1 to 4), Lou Klayman (tracks: 1 to 4), Sam Persoff (tracks: 1 to 4), Sam Persoff (tracks: 5 to 20), Sam Rosenblum (tracks: 5 to 8) Tenor Saxophone – Tony Pastor (tracks: 5 to 20), Tony Zimmers (tracks: 1 to 4) Trombone – Buddy Morrow (tracks: 17 to 20), Mark Bennett (3) (tracks: 1 to 4), Mike Michaels (tracks: 5 to 16) Trumpet – Dave Wade (tracks: 5 to 8), Lee Castaldo (tracks: 5 to 20), Willie Kelly* (tracks: 1 to 4), Zeke Zarchy (tracks: 9 to 20) Vocals – Peg LaCentra (tracks: 5, 6, 9, 10, 12, 14 to 18, 20), Tony Pastor (tracks: 11), Wes Vaughan (tracks: 3, 4) Label: Classics (11) – CLASSICS 855 Series: The Classics Chronological Series – 855 Country: France Released: 1995 Genre: Jazz Style: Big Band, Swing 1936 Review by Scott Yanow The first 20 recordings led by Artie Shaw are reissued on this CD. The great swing clarinetist's original idea was to lead a small big band with strings in 1936. The initial session (from June 11) has four horns, a string quartet, and a four-piece rhythm section, heard at their best on "The Japanese Sandman" and "A Pretty Girl Is Like a Melody." By the second session, two months later, a fifth horn had been added and the lineup included tenor saxophonist Tony Pastor (who also took vocals), singer Peg Lacentra, and arranger Jerry Gray playing one of the violins. Highlights of the unusual (and short-lived) orchestra include "Sugar Foot Stomp," "Thou Swell," and "The Skeleton in the Closet." This band had a lot of potential, but unfortunately the general public preferred louder, larger, and less-subtle ensembles, so Shaw reluctantly broke up his first orchestra early in 1937. Give it a like if you liked it, a hug...