Dave Otero: Mixing 'In Solitude' скачать в хорошем качестве

Dave Otero: Mixing 'In Solitude'

Dave Otero, renowned producer and engineer known for his work with Cattle Decapitation, Archspire, and Khemmis, explains his dynamic and detail-driven approach to mixing 'In Solitude'. Balancing natural acoustic tones with modern production techniques, Otero’s mix showcases his ability to create punch, weight, and clarity across contrasting sections. 🎵 Access the multitracks, stems, and audio exports for free: https://huddersfield.box.com/s/8gren2... This interview is part of Heaviness in Metal Music Production (HIMMP), a research project funded by the Arts and Humanities Research Council (AHRC), grant reference AH/T010991/1. Hosted at the University of Huddersfield, UK, the project was led by Dr Jan Herbst and Dr Mark Mynett. Learn more about HIMMP at www.himmp.net. 📢 Watch now to explore Otero’s innovative techniques and his approach to balancing natural dynamics with modern heaviness. 🔔 Subscribe for more interviews, insights, and research into metal music production. #MetalMusic #DaveOtero #Mixing #HIMMP #ahrcresearch Chapters 00:00 - Introduction and Mixing Philosophy 01:46 - Busing Approach and Workflow 02:31 - Parallel Compression Techniques 05:06 - Master Bus Processing 06:02 - Drum Processing 10:09 - Kick Drum Approach 13:33 - Snare Processing 21:18 - Tom Processing 25:33 - Overhead and Room Processing 34:00 - Bass Processing 43:13 - Guitar Reamping and Processing 55:33 - Vocal Processing 1:07:00 - Orchestral Elements Processing 1:11:52 - Master Bus Chain Detailed Timestamps 00:08 - Mixing approach and understanding tradeoffs in metal 00:30 - Focusing on song elements and focal points 01:46 - Discussion of busing workflow and avoiding templates 02:31 - Approach to parallel compression on drums 03:43 - Parallel processing for different sonic characteristics 05:06 - Master bus processing workflow 06:02 - Workflow starting with clean tones before bus processing 06:32 - EQing approach to drums 07:00 - Virtual tape machines on mix bus 08:04 - Master bus chain for gluing the mix 08:58 - Sample augmentation philosophy 09:36 - Using session samples vs external samples 10:09 - Kick drum processing approach 10:56 - Balancing kick and kick samples 11:42 - Using Auto-align for phase alignment 12:33 - Multi-band expansion for gating drums 13:33 - Snare processing approach 14:34 - Using multiple snare mics 15:33 - Multiband gating techniques 17:08 - EQ approach on snare mics 18:26 - Distortion and saturation on snare tracks 19:52 - Demonstration of snare sounds 21:18 - Tom processing without samples 22:13 - Multiband expansion for tom bleed control 22:58 - EQ approach on toms 25:33 - Overhead processing and microphone splits 27:20 - Sculpting overhead EQ curves 28:58 - Room mic processing 30:12 - Compression on rooms 33:06 - Drum reverbs and ambient processing 34:00 - Bass processing approach 34:47 - Using distressor on DI processing 37:25 - Neural DSP Parallax bass plugin 40:22 - Bass driver emulation for low-mid control 43:13 - Guitar reamping process 44:26 - Amp choice and boost pedal approach 46:36 - Microphone choice for guitars 48:40 - EQ approach on guitar tracks 51:56 - Saturation and compression on guitars 55:33 - Vocal processing approach 56:23 - Hardware processing on vocals 57:40 - Automatic double tracking for vocals 59:47 - Dynamic EQ on vocals 1:00:39 - Vocal EQ approach 1:04:40 - Delay and reverb on vocals 1:07:00 - Orchestral elements processing 1:07:40 - Using Gullfoss for orchestral balance 1:11:52 - Master bus processing chain 1:12:38 - Hardware compressor settings 1:14:50 - Multi-stage saturation approach 1:16:26 - Stereo imaging on master bus 1:18:44 - Maximizer settings and loudness approach