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Dogme 95

In 1995, as a reaction to high-budget special effects movies, two Danish film directors Lars von Trier and Thomas Vinterberg wrote the Dogme 95 manifesto, which set rules to create films based on traditional values of story, acting, and theme. Their goal was to produce films without having to be dependent on a large movie studio to provide the funding. There are ten rules in the Dogme 95 manifesto. Rule #2 pertains to audio and says, "The sound must never be produced apart from the images or vice versa." And that, "(Music must not be used unless it occurs where the scene is being shot.)". This means that any music that's heard in a Dogme 95 film is not underscore that was added in postproduction, but instead was source music that was recorded during production, because the source of the music was in the scene. For example, the characters could be filmed in a location where music was being performed, music could be coming from a music player, radio, or television at that location, or an actor could simply pick up an instrument and start playing. Dogme 95 also doesn't allow for dialog replacement or added sound effects, since those sound elements were not recorded in production. So, because of these restrictions, it almost never happens with Hollywood films, but many indie films and some television shows still follow some or all of the Dogma 95 rules.