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https://www.classics.ox.ac.uk/event/s... PROGRAMME Day 1: Wednesday 20 July 2022 09:00–09:20: Welcome coffee 09:20–09:30: Introduction Session 1 09:30–10:15: Ian Rutherford (Reading), ‘Mobile singers, musical networks and hybrid styles. The transmission of song 2000-500 BCE’ 10:15–11:00: Lorenzo Verderame (Rome ‘La Sapienza’) ‘Learning to speak Sumerian’ Session 2 11:15–12:00: Dahlia Shehata (Würzburg) ‘Between tradition and innovation: composition and performance of Old Babylonian Sumerian and Akkadian Poetry’ 12:00–12:45: Michele Cammarosano (Napoli ‘L’Orientale’) ‘Orality and performance in Hittite Anatolia’ Session 3 14:00–14:45: John Screnock (Oxford): ‘Can we distinguish writtenness and orality in ancient Hebrew poetry?’ 14:45–15:30: Jonathan Ready (Michigan) ‘Scribal performance and the Ptolemaic papyri: alternatives and rejoinders’ Session 4 15:45–16:30: Shirly Natan-Yulzary (Gordon College, Haifa & Beit-Berl College) ‘Performance and orality in Ugaritic epic literature’ 16:30–17:15: Martina Astrid Rodda (Oxford) ‘Homeric ‘Post-Orality’ and other poetic traditions: lessons to be learned?’ Day 2: Thursday 21 July 2022 Session 5 09:30–10:15: Martin Worthington (Trinity College, Dublin) ‘Orality in Performance – implications for Babylonian literature’ 10:15–11:00: Laura Massetti (Harvard & Oxford) ‘Pindar’s ring-compositions: Indo-European inheritance between orality and writing’ Session 6 11:15–12:00: Jacqueline Vayntrub (Yale) ‘Orality and the Bible’s displaced voices’ 12:00–12:45: Bruno Currie (Oxford) ‘Theognis, rhapsodes and the concept of the authentic text’ Session 7 14:00–14:45: Anna Glenn (LMU Munich) ‘Old Babylonian Sumerian hymnic poetry as liturgy’ 14:45–15:30: Domenico Giordani (UCL & Oxford) ‘Shaping the Saturnian: structure and performance’ Session 8 15:45–16:30: Selena Wisnom (Leicester) ‘The dynamics of repetition in Akkadian literature’ 16:30–17:15: Bernardo Ballesteros (Oxford) ‘Performance and composition in Homeric and Near Eastern epic’