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Autor: Joseph Riepel (1709-1782) Obra: Trumpet Concerto in D Intèrprets: Otto Sauter (trumpet); Philharmonisches Staatsorchester Bremen Pintura: Giuseppe Zocchi (1711-1767) - El Arno en el puente Santa Trinita (c.1741) Comprar/Purchase: https://www.amazon.com/Trompetenkonze... --- Joseph Riepel [Ipleer, Leiper, Perile] (Deutsch-Hörschlag, 22 Jan 1709 - Regensburg, 23 Oct 1782) Austrian theorist, composer and violinist. He attended a Jesuit Gymnasium in Steyr from 1727, and in 1733 he began studies in philosophy at the Jesuit college in Linz; at this time he started reading Fux’s Gradus ad Parnassum. After a year of study at the University of Graz, 1735–6, he served as valet to General Alexander Graf d’Ollone during the Turkish wars of 1736–9 and accompanied him through Bosnia, Serbia and Slavonia, then lived in Dresden until 1745, taking daily lessons from Zelenka. Unable to find a position, he spent time in Poland and then in Vienna. Riepel was appointed Kapellmeister at the court of the Prince of Thurn und Taxis in Regensburg in 1749. This was his first and only position, and he held it for over 30 years, during which time he elevated the court orchestra to a high standard; he was also known for his skill as a violinist. In Regensburg Riepel wrote his theoretical treatises Anfangsgründe zur musicalischen Setzkunst and Harmonisches Sylbenmass. These gained him a reputation throughout Europe, but were only partially published in his lifetime. Riepel represents a stylistic turning-point: his melodic material is typical of the earlier 18th century, with courtly minuets and Italian sinfonias, but his systematic treatment points to the structural clarity and symmetry of the later 18th century. His work received favourable comment from Hiller, Gerber, Schubart, Choron and Fétis, and had a strong influence on Koch, the most important theorist of the later 18th century; his pupils included J.C. Vogel, J.C. Schubarth, F.F. Cavallo, J.C. Kaffka, F.X. Pokorny, P.C. Steiglehner and Sebastian Prixner. Riepel wrote the bulk of his compositions in Regensburg. Various instrumental and vocal works have survived, but an opera is, unfortunately, lost.