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Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• An album that ended with a cow in a field in Potters Bar, Hertfordshire, began over a year before in Rome. Italian director Michelangelo Antonioni had commissioned Pink Floyd to score his next film, Zabriskie Point. They arrived in Rome to start recording in November ’69. Zabriskie Point was the next stage on Floyd’s varied musical journey, but the band quickly discovered that Antonioni was an impossible taskmaster. “We did some great stuff,” insisted Waters. However, the director, worried their music would overpower his movie, criticised everything: “You’d change whatever was wrong and he’d still be unhappy. It was hell.” Floyd lasted two weeks in Rome and then came home. Zabriskie Point appeared in February 1970 and was a resounding flop. The soundtrack included just three Floyd tracks, padded out with songs by the Grateful Dead, among others. However, Floyd’s discarded outtakes contained a musical sequence around which the Atom Heart Mother suite would evolve. “Dave [Gilmour] came up with the original riff,” Waters told Capital Radio (now TeamRock) DJ Nicky Horne. “We all listened to it and thought, ‘Oh, that’s quite nice…’ But we all thought the same thing, which was that it sounds like a theme from some awful western.” The drum and bass parts, recorded in one take for the entire suite, resulting in an inconsistent tempo throughout the song. Roger Waters and Nick Mason had to play for twenty-three minutes straight. The song is a suite, and is separated into six movements: “Father’s Shout" “Breast Milky” “Mother Fore” “Funky Dung” “Mind Your Throats Please” “Reemergence” Stanley Kubrick wanted to use this track for his film A Clockwork Orange; however, the band refused permission. Kubrick did, however, include the album cover in the film. It can be seen on a shelf in the music shop scene. Years later, Kubrick refused Roger Waters permission to use audio samples from his film 2001: A Space Odyssey on Waters' solo album Amused to Death.