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Megyn Kelly just shredded Blake Lively at the Conservative Political Action Conference, and she did it in front of the entire world. The live broadcast quickly escalated into a brutal takedown, leaving Blake zero room to dodge the humiliation. Megyn called her out as a power-hungry manipulator, someone who throws tantrums when she doesn’t get her way and steamrolls anyone who dares to challenge her. Taking the stage at CPAC 2025, Kelly wasted no time exposing Lively’s carefully orchestrated victim narrative. In front of an energized conservative audience, she ripped into Hollywood’s biggest double standard—how the industry protects its own, no matter how twisted the truth may be. And right at the center of that hypocrisy? Blake Lively’s crumbling lawsuit against Justin Baldoni—a case that has transcended Hollywood gossip and turned into a full-fledged cultural battle over who gets to shape the narrative and control public perception. We all thought we knew Blake Lively—turns out we were fooled. Megyn Kelly didn’t just criticize her—she exposed the system that enables women like Lively to weaponize MeToo for personal gain. The audience erupted when Kelly compared her to Amber Heard—because it’s the same tired script. A fading actress, a convenient victim narrative, and a media machine eager to destroy any man who won’t submit. But Kelly wasn’t done—she called out the press for their hypocrisy. The moment Lively made her accusations, headlines exploded, painting her as a hero and Baldoni as the villain. Then came the receipts—texts, emails, contradictions—and suddenly, silence. The same reporters who smeared Baldoni ignored the truth. Kelly made it clear—Lively was never the victim. She was the manipulator, and when she lost control, she used the most destructive tactic possible to take Baldoni down. At the center of it all was It Ends With Us—a film Baldoni spent years fighting to direct. But Lively, infamous for being difficult on set, didn’t just want to act—she wanted control. When Baldoni refused to hand it over, she rewrote the story—literally. Overnight, he went from director to harasser because, in today’s Hollywood, one accusation is all it takes.