Riz: Parallels with Thomas Mann’s 𝘋𝘦𝘢𝘵𝘩 𝘪𝘯 𝘝𝘦𝘯𝘪𝘤𝘦 (Beastars Season 2 Analysis) скачать в хорошем качестве

Riz: Parallels with Thomas Mann’s 𝘋𝘦𝘢𝘵𝘩 𝘪𝘯 𝘝𝘦𝘯𝘪𝘤𝘦 (Beastars Season 2 Analysis)

*A note* I have been reading the comments in the video and I want to clarify something that I may not have been too clear about. I do not, by any measure, equate homosexuality to pedophilia; that was not the intent of what I was attempting to communicate. What I mean to equate, and what I do believe I clarify in the video with my contentions outlying the two, is the similarities on their journies to vice. When I juxtapose Riz's consumption of Tem in Beastars to Aschenbach's predatory activity around Tadzio, I am not calling Riz a pedophile nor am I saying that all gay men are pedophiles (I am very much aware of that harmful stereotype). I am instead comparing the paths they took to committing equally base actions. When Mann writes Aschenbach, he clarifies that, at first, he has a separate attraction to the masculine aethstetic. It is when he realizes that it is not an aethstetic appreciation of masculinity but an attraction -- not to minors, but to men in general -- that he does not know how to react properly and thus misplaces this realization with volitionally preying on a child. I am not saying that Aschenbach is gay/bi and ergo a pedophile. I am saying that he realizes he's gay/bi but mistakes his sexuality for pedophilia/misplaces it onto Tadzio voluntarily out of confusion because he cannot properly process this newfound, self-truth bomb. Thomas Mann makes this distinction in Death in Venice far clearer than I could ever eloquate. I say the same for Riz: he realizes his attraction for Tem through a longing for male companionship but (potentially) mistakes it for predatory instincts. Like Aschenbach, he does not understand nor can he come to process this realization properly, and thus caves to what he believes to be predatory instincts. This does not mean that this was an act of pedophilia, nor does it assume that Riz (and all gay/bi men alike) are pedophiles. It just draws parallels between two characters that experience a corruption arc when failing to process internal emotions and aesthetics; the thesis does not ever state nor intends to insinuate such an abhorrent and backwards position apropos the LGBTQIA+ community, specifically gay/bi men. I hope this clears things up and I am sorry for the potential confusion. A character analysis juxtaposing Riz’s descent to that of Gustav von Aschenbach — the main character of Thomas Mann’s novelette, Death in Venice — to illustrate his corrupted expression of suppressed emotional feelings and his sexuality. All textual citations, screenshots, and depictions of characters as well as music are the property of their respective owners. I do not own any of the properties represented in this video nor do I claim ownership of them. All depictions thereof are fair use for analytical purposes. This is also the case because I do not distribute the full contents of the paid-for materials without editing or citations. Follow my Twitter!:   / orwxll2   Credit for the thumbnail and the sprites goes to @cynicaljackfish on Twitter/Instagram! (  / cynicaljackfish  . Like and subscribe for more content like this! Citations: Itagaki, Paru. Beastars, Volume 1. Shonen Champion Comics. 2017. Print. 蜜漬けの記憶. Beastars. Orange Studios. Itagaki, Paru. Season 2, Episode 7. Orange Studios. 2021. Mann, Thomas. Death in Venice. Dover Publications. 2018. Print. Visconti, Luchino. Death in Venice. 1971. Panavision. Outro Music:    • MACINTOSH PLUS - FLORAL SHOPPE - 02 リサフランク...