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This recording documents an ensemble defined less by virtuoso display than by restraint, spacing, and procedural awareness. Excess Capacity Quartet operates as a compact system in which individual lines are permitted clarity without dominance. The group’s identity emerges through negotiated timing, controlled harmonic drift, and an evident sensitivity to when sound is withheld as much as when it is released. Across the album, the quartet approaches jazz language as a field of conditions rather than a vehicle for declaration. Phrases are shaped by internal response and formal patience, allowing motifs to surface, dissolve, and reappear altered by context. The recording favors balance over momentum, and interaction over emphasis, producing a unified statement that feels observed rather than announced. Grounded in period recording sensibilities, the album presents itself as a study in collective behavior, examining how structured frameworks can support elasticity, ambiguity, and shared authorship within a small ensemble format. Tracklist 물이 먼저 차올랐다 — The Water Rose First 아무도 손을 들지 않았다 — No One Raised a Hand 낮은 음에서 시작 — Beginning in the Lower Register 문장은 끝나지 않았다 — The Sentence Was Not Finished 의자는 비어 있었다 — The Chairs Remained Empty 종이가 젖어 있었다 — The Paper Was Wet 대답 없는 질문 — An Unanswered Question 약속된 박자는 없었다 — No Agreed Pulse 천천히 정렬되다 — Gradual Alignment 시선이 교차하다 — Lines of Sight 기록되지 않은 순간 — An Unrecorded Moment 음들이 겹치다 — Overlapping Tones 멈춤 뒤의 소리 — Sound After Pause 말해지지 않은 구조 — An Unspoken Structure 수면 위의 균형 — Balance at the Surface 모두 같은 방향은 아니었다 — Not Facing the Same Direction 낮은 대화 — A Low Conversation 시간은 고정되지 않았다 — Time Was Not Fixed 형태만 남다 — Form Without Emphasis 반복 없이 진행 — Progress Without Repetition 여백이 늘어나다 — Expanding Space 합의는 필요 없었다 — Consensus Was Unnecessary Personnel Park Min Jae – piano Lee Sung Hoon – tenor saxophone Choi Young Kyu – double bass Han Ji Eun – drums Additional Personnel Kang Soo Min – violin #rednotejazz #jazz #newmusic #aijazz #quartet #introspective