Devotional Raag Ramkali | Anupama Bhagwat | Early Morning | Darbar VR 360 скачать в хорошем качестве

Devotional Raag Ramkali | Anupama Bhagwat | Early Morning | Darbar VR 360

#darbarfestival #VR360 | Ramkali, similar in shape to Bhairav, is an early morning raga. It is often associated with Sikh devotional traditions - many Sikh saints and holy men have composed in it. ► Welcome to the Darbar VR360 Festival. We’ve released over 50 immersive VR videos showcasing some of India’s finest artists performing in breathtaking natural landscapes, spanning Hindustani, Carnatic, Dhrupad, and percussion. For the best experience use a VR headset with headphones. Experience being the sole ‘audience member’ right next to the musicians for your own private raga performance, enjoying the music amidst India’s natural world. For more info, including the full program, see www.darbar.org/video360 ----------------------------------------------------------------------------------------------------- Anupama Bhagwat’s sitar style exemplifies the best elements of the Imdadkhani gharana - structured alap (rhythmless introduction) playing, rapid taans (melodic elaborations), and a detailed mastery of gayaki ang (‘singing style’). Her varied approach reflects the eclecticism of her guru Pandit Bimalendu Mukherjee (father of Budhaditya), a sitarist who also played sarod, veena, surbahar, pakhawaj, sursingar, mandra bahar, dilruba, esraj, and tar shehnai. She won All India Radio’s sitar competition in 1994, and has participated in fusion projects such as Global Rhythms and Shanti. Now based in Bangalore, she continues to refine her style while touring to acclaim, with a growing fan base around the world. Learn more at: -https://www.darbar.org/artist/anupama... "So exhilarating has been the beauty of my journey in the realms of music, that the destination is no longer important." (Anupama Bhagwat) ----------------------------------------------------------------------------------------------------- Ramkali is an early morning raga. It is often associated with Sikh devotional traditions - many Sikh holy men have composed in it, and one writer described it as follows: “the emotions in Ramkali are like those of a wise teacher disciplining their student. The student is aware of the pain of learning, but is still conscious of the fact that ultimately it is for the best. In this way Ramkali conveys the change from all that we are familiar with, to something we are certain will be better.” It is similar in form to Raag Bhairav, basing melodies on the swaras SrGmPdNS. But it is sung higher, mainly using madhya and taar saptak (middle and higher octaves). Also, Re and Dha are not played with as much oscillation as in Bhairav. Re is generally omitted in ascent, tivra Ma (#4) can be used in descent, and flourishes of komal Ni (b7) are permitted. The vadi and samvadi (king and queen notes] are Pa and Sa respectively, and Dhrupad musicians (among others) often play higher sruti (microtones) for the Pa and Re. ----------------------------------------------------------------------------------------------------- Recorded by Darbar in 2019, on location in West India: -Anupama Bhagwat (sitar) Technical team credit: Jagdeep Shah (DOP) Sandeep Virdee (location sound) Nirmal Singh (360 editor) Christoph Bracher (ambisonic sound dubbing) Narvir Singh (assistant editor) Munshi Chohan (runner) Shivaji Shirke (village surpanch) Sunita Khandu Gore (catering) Special thanks to Sherna Chatterjee & Mortimer Chatterjee Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust