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“Korodouga,” performed by Habib Sangaré and his ensemble Bolon Jazz, unfolds as a small but vivid window into the living traditions of Malian acoustic music. The recording centers on four musicians: balafon, ngoni, kora, and a flute, each contributing a distinct voice to the ensemble’s circular groove. The balafon establishes the rhythmic skeleton with bright, wooden cascades, while the ngoni and kora braid together delicate melodic patterns that feel both improvisational and deeply rooted in Mandé musical grammar. Over this foundation, the flute’s airy tone floats like a guiding melody, bringing a pastoral quality that evokes the landscapes of the Sahel.