The Fastest Non-Motorized Sport on Earth — and How It Reached Its First Peak w/ Franz Klammer & Co. скачать в хорошем качестве

The Fastest Non-Motorized Sport on Earth — and How It Reached Its First Peak w/ Franz Klammer & Co.

How did downhill ski racing become the fastest non-motorized sport on earth? And how did the sport build toward the legendary moment that many still call the greatest downhill race in history? In this episode, we explore the early history of alpine skiing and follow the sport’s evolution from simple wooden skis to high-speed downhill racing on the world’s most iconic courses like the Lauberhorn in Wengen oder the Hahnenkamm downhill on the Streif in Kitzbühel. We look back at the first pioneers of ski racing, the creation of classic events like the Arlberg-Kandahar and the first Olympic ski races and world championships, and how these races shaped the culture of alpine skiing in Switzerland, Austria, France, and the rest of the world. As equipment improved and athletes pushed the limits of speed, downhill skiing entered a dangerous new era. Higher speeds meant more risk, and the sport saw both groundbreaking innovation and devastating crashes that changed ski racing forever. The story then shifts to the rise of the sport’s early legends — Bernhard Russi, Roland Collombin, and eventually Franz Klammer. Their rivalries, personalities, and iconic performances helped define downhill racing in the 1960s and 70s. Everything builds toward the unforgettable 1976 Innsbruck Olympic downhill, where Franz Klammer delivered one of the most famous runs the sport has ever seen. If you’re passionate about ski racing, alpine skiing history, or simply love great sports stories, this episode takes you through the moments, athletes, and races that shaped downhill skiing’s first true peak. Music: Antonio Vivaldi - Summer (L'Estate), all 3 movements Antonio Vivaldi - Concerto 4 in G minor Antonín Dvořák - Symphony no. 9 in Em, 'New World' - III. Scherzo, molto vivace Disclaimer: Certain images and video clips in this documentary are used under fair use for the purposes of commentary, analysis, education, and historical documentation. All rights belong to their respective owners.