Joaquin Turina: Sonata for solo guitar Op.61 (1931) Alexandre Lagoya, guitar скачать в хорошем качестве

Joaquin Turina: Sonata for solo guitar Op.61 (1931) Alexandre Lagoya, guitar

Joaquin Turina (1882-1949) Sonata for solo guitar Op.61 (1931) dedicated to Andres Segovia 1er Movement: Allegro - Allegretto tranquillo - Allegro 0:00 1. A. Lento 0:17 B. Allegro 0:36 C. Allegretto tranquillo (espressivo) 1:31 D. Allegro 2:01 A. Lento 2:17 B. Allegro 2:29 C. Allegretto tranquillo (espressivo) 3:11 Coda - Allegro 2e Movement: Andante 3:26 2. Section 1 (cantando) 3:40 Section 2 (como eco) 3:58 Section 3 (energico) 4:27 Section 4 (espressivo) 5:08 Section 5 (cantando) 5:38 Section 1 (cantando) 5:51 Section 3 (energico) 6:28 Section 5 (molto espressivo) 6:44 Section 6 (lentamento) 3e Movement: Allegro vivo - Allegro moderato - Allegretto 7:19 3. A. Allegro vivo (Bulerias - Fiesta) 7:50 B. Allegro moderato (con garbo) copla melódica 8:39 A. Allegro vivo (Bulerias - Fiesta) 9:08 C. Allegretto (C. in the first movement) 9:39 Coda. Allegro vivo (dolcissimo) Guitar: Alexandre Lagoya Philips (1970) *********************** The Spaniard Joaquin Turina (1882-1949) was one of the first contemporary composers who, addressed by the outstanding guitarist Andrés Segovia, wrote contemporary original works for the guitar, thus paving the way for this instrument onto the international concert stages in the 20th century. Meanwhile, it is a known fact that Segovia often edited the musical text of the compositions written for him and arranged it according to his personal style of interpretation. Our new editions of Turina's most important works are therefore based on both the first editions and the original autograph versions, thus presenting for the first time the original text. Today, no performer can get around these new editions if he/she wants to deal with Turina's artistic legacy in a responsible manner. The Sonata for guitar, opus 61 is a piece for solo guitar that Joaquín Turina composed in 1930. The work began on October 24, 1930. Its premiere took place on January 29, 1932 by Andrés Segovia (dedicate of the work) in the Academy of Santa Cecilia, Rome 1. Allegro Allegretto tranquillo 2. Andante 3. Allegro vivo, en 3/8: intensos rasgueados y , a continuación, el episodio de la copla melódica en 2/4. La coda concluye con un recordatorio del tema secundario. **************** Basé sur une legende qui aime la nuit, se deguise en fantôme et sort dans les rues de Seville pour effrayer tous ceux qui ne sont pas amoureux. Seville, la nuit uniquement avec les gens qui se sentent l'amour. (Pepe Romero). Part I: put yourself completely in love. But soon love dresses itself into a damon and frightens everybody, but not the ones who are in love. They are there, dancing to flamenco tunes and remaining in good spirit. Part II: night time is approaching, again in the background only lovers in the streets and everywhere, participating in a flamenco party with the smell of jasmin and flowers. (Inspirée d'une profonde saveur andalouse, dans laquelle Turina semble avoir réussi à opérer la fusion du "Cantaor flamenco" et de son guitariste). Part III : Sevilla becomes awake, people go to work, drinking coffee, talking. Only the lovers already went to sleep. (Pepe Romero). ******************** Sonate (ou « Sonatine ») pour guitare, op 61 Poeme par Alain Messiaen 1912—1990 (le frère du compositeur Olivier Messiaen) 1. Allegro Du furtif et mystérieux au « raclando » sourcilleux. Parfois, la grace de la danse frole la brulure intense 2. Andante Promenade aux bras de la bien-aimée, en rade... Mais elle est là, transfigurée, la sévillane, «Suspiros en la sierra». 3. Allegro vivo Estudiantine feu follet mystique. Lorsque tout s’alanguit en « piano cyclique ». Guitar et clavier clavier d’œillet puis tout retombe au brasier.… Miguel de Unamuno entendait tout le ciel d’Espagne dans cette sonate. Alain Messiaen (Samedi 22 janvier 1972)