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Shivah — Karuṇāyaḥ Mahāśabdaḥ is a contemplative devotional composition centered on Lord Śiva as compassion expressed through primordial sound—the Mahāśabda that underlies creation, dissolution, and awareness itself. This work does not pursue spectacle, intensity, or dramatic transcendence. Instead, it reflects Śiva’s composed sovereignty: unmoved, listening, and present as the axis around which all motion occurs. Compassion here is not emotional display, but ontological—embedded in vibration, resonance, and silence. The composition evokes the stillness that follows sound and the sound that arises from stillness. Śiva is approached not as a distant ascetic or a wrathful force, but as Karuṇā itself—compassion that permeates existence through rhythm, breath, and continuity. His presence is felt as stability within flux, awareness within chaos, and order within cosmic movement. Musically and thematically, the piece is restrained and inward-facing. Vocal expressions are measured and reverent, allowing the mantra-like cadence to unfold without urgency. Traditional elements are used sparingly, with emphasis on space, resonance, and decay—where silence carries as much weight as sound. The overall rasa remains śānta, contemplative, and grounded in gravitas. Produced under **NADAAMRITA STUDIO**, this composition is intended for early-morning listening, meditative environments, and focused contemplation—where devotion is not enacted outwardly, but realized inwardly, and where Śiva is encountered not through motion, but through attentive stillness.