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Beethoven’s Symphony No. 1 in C major, Op. 21 is not merely the beginning of his symphonic cycle but a moment in which the genre itself begins to reconsider its own nature. From its opening measures, the work places productive tension on the inherited Classical framework, introducing a more incisive motivic logic, a bolder harmonic directionality, and an inner kinetic energy that transforms form into process rather than mere architecture. With Beethoven, the symphony ceases to be solely an exercise in formal balance and becomes instead a vehicle for large-scale musical thought: discourse, conflict, irony, expansion, and character coexist within a single organic unity. This work inaugurates—still with Classical poise, yet with an unmistakably modern will—the era in which the symphony stands as the privileged domain for musical ideas of the greatest expressive density and aesthetic consequence. Andrew Quiñones — Conductor Xalapa Contemporary Art Gallery January 17, 2026 Xalapa, Veracruz Recorded and edited by William García