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An eclectic and vibrant conversation with Venetia Porter — former curator of Islamic and Contemporary Middle Eastern Art at the British Museum — about the life of her iconic mother Thea Porter across Palestine, Syria and Beirut in the 50s, her own work at the British Museum, and the purpose of curation. Reflecting on an extraordinary moment in time when Thea Porter was a fixture of Beirut’s creative circles, Venetia shares what it was like to unearth her mother’s personal archive of photos, letters and memories from that era. Moving on to her own work at the British Museum, she sheds light on what she believes the role of curation and the curator should be, what it means to build a “universal” museum, and whether it’s possible to establish this kind of institution in the Arab world. Finally, Venetia offers insight on how museums are responding to the increasingly charged question of how they obtained the objects in their collections and how she navigated her position as a non-Muslim when curating an exhibition about the history of the Hajj. 0:00 Introduction 1:39 What Brought Thea Porter to Beirut 6:57 Venetia Porter (& Her Mother's) Relationship With Palestine, Syria and Lebanon 9:41 Inspired to Study the Arab World 11:18 Curating Islamic Art: Changing Meanings 16:35 Success of Western Museums 23:13 Building Universal Institutions in the Arab World 25:15 The Art of Hajj 34:43 Common Mistakes that Museums Make 38:52 Arab Artists That High Schoolers Should Know 47:31 Connecting With Artists Through Personal Memoirs & Materials Venetia Porter is an Honorary Research Fellow at the British Museum. Formerly Curator of Islamic and Contemporary Middle Eastern Art at the British Museum, her published titles include "Reflections: Contemporary Art of the Middle East and North Africa", "The Islamic World: A History in Objects", "Hajj: Journey to the Heart of Islam" and "Word Into Art: Artists of the Modern Middle East". Her mother, Thea Porter, known as the queen of 1960s Bohemian Chic, fused a love for Central Asian textiles with her personal experiences in Beirut working between Fashion & Interior Design. Her illustrious tapestry kaftans, Iraqi "Samawa" carpet coats, and antique chiffons saturated the pages of the era’s British Vogue. During the key decades of British boho-revival, beloved Porter designs were worn by the likes of Anita Pallenberg, Faye Dunaway, Lauren Hutton, the Rolling Stones and Pink Floyd. Connect with Venetia 👉 / venetia_porter Thea Porter’s Scrapbook 👉 https://www.booksaboutart.co.uk/produ... Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns Hosted by: Mikey Muhanna 👉 / mikey_mu FOLLOW & RATE THE AFIKRA PODCAST: » Apple Podcasts: https://podcasts.apple.com/lb/podcast... » Spotify: https://open.spotify.com/show/5nafoF1... » Anghami: https://play.anghami.com/podcast/1014... THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: • This Is Not a Watermelon | Palestinian His... ABOUT AFIKRA afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity. 📍 Local events in 40+ locations worldwide http://afikra.com/chapters 🎧 New podcasts + videos weekly http://afikra.com/podcasts ⚡ Become a member: https://www.afikra.com/membership 🔗 Instagram: / afikra_ 🔗 Facebook: / afikra.official 🔗 Twitter: / afikra #BohemianChic #TheaPorter #IslamicArt #Arab #ContemporaryArt #afikraPodcast #Beirut #Bloudan #Syria #Lebanon #ArabFashion