Vilayat Khan & Bismillah Khan break into song: Nand + मोहे पनघट पे नन्दलाल छेड़ गयो रे | Doordarshan скачать в хорошем качестве

Vilayat Khan & Bismillah Khan break into song: Nand + मोहे पनघट पे नन्दलाल छेड़ गयो रे | Doordarshan

00:58 Nand / Anandi ajahuuN naa aaye 17:02 Thumri / Daadraa मोहे पनघट पे नन्दलाल छेड़ गयो रे मोहे पनघट पे नन्दलाल छेड़ गयो रे मोरी नाजुक कलाईयाँ मरोड़ गयो रे This is one of those unexpected benedictions. It was meant to be a Jugalbandi between Sitar and Shehnai, just as two of India's most celebrated maestro instrumentalists had been performing and recording for decades. But they instead ended up breaking into song, while shooting for Doordarshan Bharati's Jugalbandi series, back in the early 2000s at the Taj, Varanasi. One has to remain grateful to the producer Gyan Seth who managed to not only get the whole session of this inspired improvised singing recorded but ensured that it reached the public domain via Doordarshan, for whom the programme was being shot anyway. Doordarshan has repackaged parts of this performance at various times – there is one more which has a Kajri and Hori.    • Vilayat Khan | Bismillah Khan | Kajri...   Anything with the two of these virtuosos would be for the ages, but there is something extra celebratory and joyous about Mohe Panghat Pe Nandlal ChheR Gayo Re. This recording resurfaced and did the rounds on social media circuit during the lockdown. It could not have been better timed. I wish Gyan Seth, who conceived, produced and directed the series, or someone else who witnessed the performance first-hand, was around to tell us about the experience behind the scenes. Not that anyone following Vilayat Khan's live shows would be unfamiliar with his love for singing – he would often say that he wanted to become a vocalist in childhood. But the magic here is in the dynamic between the duo. Whoever says music is meant to only be an aural experience should see this and experience for themselves what a visual feast it can be. The beatific smiles on their faces as they clearly enjoy and delight in each other's skills and artistry add to the sheer joyous and music they create – that one of them is in his mid-80s and the other in mid-70s can hardly be guessed from the energy they exude. I had been saving this, along with their other recordings for around Holi this year, but got distracted by other things. It was Vilayat Hussain Khan singing ajahuuN naa aaye in Gaud Sarang that, funnily enough, reminded me of this performance. The Master Mukund 78 RPM was the clincher. The way the Doordarshan Archives work, rare recordings go missing mysteriously or get taped over or get removed from YouTube for all kinds of reasons that often remain opaque – not the least of which is for unscrupulous elements to try and monetise them – it is important and even incumbent on us to ensure that such recordings get shared on multiple platforms to ensure that the work of the public broadcaster which is run on the tax payers' money, is furthered and preserved far and wide.    • Vilayat Khan      • Singing Instrumentalists – Vilayat Kh...      • Panghat   *** These recordings are shared purely for scholarly research, educational and entertainment purposes. No copyright infringement is intended. These are not meant for any commercial purpose whatsoever and are shared strictly under the fair use clause and per YouTube's uploading policies and guidelines where copyrighted content is allowed to be shared by the rights holders. This channel is not monetised, nor ever intends to be. If you still want this or any other recording removed from this channel for copyright reasons despite the above, please do not move a Copyright Strike. Please let me know with a comment and I shall immediately look into it. Your feedback matters. Please help provide/correct/complete the lyrics and the author's name. Where possible, please also help with raag identification.