Sony PXW-Z450 4K Demo Reel скачать в хорошем качестве

Sony PXW-Z450 4K Demo Reel

UPDATE: My 45 minute review of the Z750 and Z450 is now online.    • Introduction to Sony’s revolutionary PXW-Z...   UPDATE: March 2019 "How to Make Money Shooting Stock Footage"    • TRAILER for WORKSHOP:  HOW TO MAKE MONEY S...   I've just completed a new 5-hour Master Class workshop that teaches how to make money shooting stock footage. If that is a topic that interests you, please check it out. UPDATE: June 13, 2017 A fantastic camera just got better. Sony has confirmed with me that the Z450 will get a firmware update later this year to add HLG (Hybrid Log Gamma) and S-LOG3 capabilities. This is great news for those of use who already shoot with HDR cameras (such as the F55, FS7, and FS5) and who understand the tremendous benefits that S-LOG can bring to a production. So, if you want to keep your post-workflow simple and not be bothered with grading — then shoot with a normal Hypergamma Scene File, as I have done in the video above. But if you want to push the boundaries of performance even further, then you’ll be happy that S-LOG and HLG are coming to the Z450 soon. Personally, I am already looking forward to taking the Z450 out for another round of shooting after the update. -- As I have done for the past ten years, I was working for Sony at the 2017 NAB convention in Las Vegas. One of the cameras that I was assigned to demonstrate was the new PXW-Z450. What makes this camera unique is that is the industry's first traditional 2/3", shoulder-mount, ENG (Electronic News Gathering) camcorder. The camera features a standard B4 lens mount, 4 channels of audio,T/C in and out, several XAVC-I 10-bit codecs, and it does 4K UHD at up to 60 frames per second. At the conclusion of NAB Sony asked me if I wanted to take the camera home with me to do some real shooting out in the field. I was already in the middle of a six week road trip shooting nature/wildlife stock footage with my PMW-F55, so I jumped at the chance to use the Z450 instead. There are many things I prefer about the F55 (such as the 16-bit RAW recorder and S-LOG) that are missing on the Z450, but the prospect of going back to a 2/3" ENG lens was too hard to resist. The folks at Fujinon were kind enough to lend me one of their excellent HA19x7.4 BERD-S6 lenses for the trip. Technically Fujinon classifies this as an "HD" lens but I thought it performed very well on the 4K Sony camcorder. So this video is a 4 minute sample of the footage I shot over the course of a three week trip. I shot about 8 hours of raw footage and have culled it down to about two hours of footage (550 shots) that I think is worthy as submission for stock footage. I visited Red Rocks Conservation Area; Valley of Fire State Park; Zion National Park; Bryce Canyon National Park; Bear River Migratory Bird Refuge; Grand Teton National Park; Yellowstone; Niagara Falls; and few other stops along the way. I only had a day or two to spend in each location so I just had to accept whatever weather, wildlife, etc. I was given . . . and then move on. I think the camera and lens performed very well and it was a nice change of pace to be working again with a 19x ENG-style lens. I didn't have to swap lenses all the time, as I do with my F55, and the huge focal length range allowed me to get extreme close-ups and wide shots effortlessly. Camera: Sony PXW-Z450 Lens: Fujinon 19x7.4 BERD-S6 Tripod: O'Connor 1030D Codec: 4K XAVC-I @ 60 fps -- converted to 29.97 in post. Gamma: Hypergamma Graded with DaVinci Resolve 12.5 Edited with Adobe Premiere CC Sony PMW-F55 Field Guide: https://itunes.apple.com/us/book/doug... Guide to Grading Sony S-LOG/RAW in Resolve https://vimeo.com/ondemand/resolve Sony PXW-FS7 Master Class training video: https://vimeo.com/ondemand/fs7 Sony PXW-FS7 Field Guide: https://www.vortexmediastore.com/prod... Sony PXW-FS5 Master Class training video: https://vimeo.com/ondemand/fs5