Exquisite Afternoon Raag Bhimpalasi Part 2 | Kaushiki Chakraborty | Patiala Khayal скачать в хорошем качестве

Exquisite Afternoon Raag Bhimpalasi Part 2 | Kaushiki Chakraborty | Patiala Khayal

Experience Kaushiki Chakraborty live in concert at the iconic Royal Albert Hall, London. Book Now: https://www.royalalberthall.com/ticke... _________________________________ Kaushiki Chakraborty sings the romantic afternoon Raag Bhimpalasi, showcasing the ornaments and rapid-fire melodies of her Patiala khayal gharana. ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer If a few brief minutes of Kaushiki aren't enough…watch her full 57-minute performance of Raag Bhimpalasi in pristine HD on the Darbar Player, along with dozens of other captivating concerts: https://www.darbarplayer.com/videos/k... --------------------------------------------------------------------- Learn more about the music: Kaushiki’s virtuoso technique is the result of years of intense training, primarily from her esteemed father Pandit Ajoy Chakraborty. She hails from the Patiala gharana, known for a strong Islamic influence and elaborate ornamentation when singing taan [fast improvised melodies]. She describes her approach: “It’s all in the mind. One has to mentally align oneself to the form...My training has taught me two approaches to music – to do music and or to become it. The latter gives you the fluidity to transcend form and become one with it.” See more of Kaushiki at Darbar here: Amazing Puriya Kalyan |    • Amazing Puriya Kalyan | Kaushiki Chakrabor...   -Raag Shudh Sarang | http://www.youtube.com/watch?v=PzCZom... -Tanpura Demonstration | http://www.youtube.com/watch?v=2QZi53... Milind Kulkarni, also featured, is a modern exponent of Hindustani classical harmonium. Starting at the age of seven, he learned fast under the tutelage of successive gurus - Vasantrao Gurav, Anna Diwan, and Pramod Marathe. He still studies under the latter, and also receives accompaniment instruction from leading non-harmonium artists too, including vocalist Ulhas Kashalkar and tabla maestro Suresh Talwalkar. Hear more of Milind here: -Janasammohini | https://www.youtube.com/watch?v=2MojA... -Dhige Dhina (with Supreet Deshpande) | https://www.youtube.com/watch?v=Fk3_m... Bhimpalasi is an afternoon raga, said to evoke sringara [attraction, romantic love]. It uses the notes of Kafi thaat, with an aroha [ascent] of nSgmPnS and an avroh [descent] of SnDPmgRS. Characteristically, Dha and Re only appear in the descending line, and are approached from the notes above. Ma is the vadi [king note]. The raga uses the notes of the Western Dorian mode, and the closest Carnatic raga is Abheri. Hear a playlist of Bhimpalasi performances here: http://www.youtube.com/watch?v=yfMHiT... Performed for Darbar Festival on 20 Sep 2015, at London’s Queen Elizabeth Hall -Kaushiki Chakraborty (khayal vocals) -Satyajit Talwalkar (tabla) -Milind Kulkarni (harmonium) -Ranjana Ghatak & Gunwant Dhadyalla (tanpuras) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust YT500