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Manhatta (1921) is a short documentary film directed by painter Charles Sheeler and photographer Paul Strand. Manhatta documents the look of early 20th-century Manhattan. With the city as subject, the film consists of 65 shots sequenced in a loose non-narrative structure, beginning with the Staten Island ferry approaching Manhattan and ending with a sunset view from a skyscraper. It is considered by some to be the first American avant-garde film.[1] The primary objective of the film is to explore the relationship between photography and film; camera movement is kept to a minimum, as is incidental motion within each shot. Each frame provides a view of the city that has been carefully arranged into abstract compositions.[2] Manhatta was a collaboration between painter/photographer Charles Sheeler and photographer Paul Strand. The intertitles include excerpts from the writings of Walt Whitman. Paul Strand (October 16, 1890 – March 31, 1976) was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century. In 1936, he helped found the Photo League, a cooperative of photographers who banded together around a range of common social and creative causes. His diverse body of work, spanning six decades, covers numerous genres and subjects throughout the Americas, Europe, and Africa. Charles Sheeler (July 16, 1883 – May 7, 1965) was an American artist known for his Precisionist paintings, commercial photography, and the avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.