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Buy any of my Custom DLC's for $ .50 Cents USD with PayPal. You can Probably find more money than that under your Couch Cushions. Request any of my CDLC's at my Google Drive. I will send you a price and a link to my PayPal account in an email. Be sure to include what CDLC's you want to order in the Notes at PayPal also. You can play them on Rocksmith 2014, Rocksmith 2014 Remastered, Rocksmith 2014 Learn & Play Edition and maybe Rocksmith+ (I haven't tried my Custom DLC's on Rocksmith+ yet.) The funds will help support me in collecting the best resources to complete new Rocksmith CDLC's. Some of the Custom DLC's will be FREE! to Download on my YouTube Channel. Any former member of The Classic Rock Coalition at Evil CF. Get my CDLC's for FREE! After Verification. How To Get Started With The Game Rocksmith 2014 in 2026! - • Getting Started With Rocksmith 2014 in 2025! Buy Rocksmith 2014 Remastered on the Steam store $9.99: https://store.steampowered.com/app/22... Also needed Rocksmith Realtone Cable: https://geni.us/uCRBKIk or a YESPURE knock-off cable: https://geni.us/UnofficialCable For advanced Rocksmith Game players: Hate Re-Tuning all the time playing Rocksmith get a DigiTech Drop Tune pedal: https://geni.us/r0xyx Setting up an audio interface with Rocksmith 2014 Use your Audio Interface with Rocksmith M-AUDIO M-Track Solo Interface: https://geni.us/G1l52p Barry McGuire - Eve Of Destruction (Bonus Lead) (1965) (2000 Remaster) (RockSmith 2014 Remastered) (avdocatwork.com) - all tracks were Arranged and Charted by me: avdocatwork. Arrangement on this Video: Bonus Lead Arrangements Available: Bass, Alt. Rhythm, Rhythm, Bonus Combo, Lead Rocksmith Platforms - Windows PC, Mac, PS3, PS4 Xbox 1, & Xbox 360. With Rocksmith installed & Jailbreak in some cases. Tuning: E From the Album: Barry McGuire - Eve Of Destruction 2000 Remaster Buy The Album At: https://barrymcguire.com/index.php?pa... YouTube Live Video: • Barry McGuire "Eve of Destruction" live on... YouTube Play Through Video: My CDLC Videos Recorded with Bandicam: https://www.bandicam.com/?srsltid=Afm... Band Information:"Eve of Destruction" is a protest song written by P. F. Sloan in mid-1965. Several artists have recorded it, but the most popular recording was by Barry McGuire, on which Sloan played guitar. McGuire's recording was made between July 12 and 15, 1965, and released by Dunhill Records. The accompanying musicians were P. F. Sloan on acoustic guitar and "Wrecking Crew" session musicians Hal Blaine on drums and Larry Knechtel on bass guitar. McGuire's vocal track was not intended to be the final version, but a copy of the rough mix "leaked" out to a disc jockey, who began playing it. The song was an instant hit, and as a result the more polished vocal track was never recorded. Band Members: Barry McGuire - Vocals P. F. Sloan - Acoustic Guitar "Wrecking Crew" session musicians Hal Blaine on drums and Larry Knechtel on bass guitar Larry Knechtel - Bass Guitar Hal Blaine - Drums FAIR USE NOTICE "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." Section 107.Limitations on exclusive rights: Fair use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include — (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.