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Owen had worked the Harlow Hill Cemetery for eleven years, and in that time he had learned to notice everything — a sunken plot that needed fresh soil, a headstone tilting after a hard rain, the particular silence that settled over the grounds just before dawn. He knew every grave, every name, every date, which meant he knew immediately when something was wrong with Carl Merritt's plot. Carl had been buried three years ago with no service, no family, no visitors — a man the town barely acknowledged had existed — and yet someone had begun leaving fresh flowers on his grave every few days, perfectly arranged, never wilted, always the same kind. Owen told himself it was harmless, a private mourner who wanted no attention, but the locked gate never showed signs of being forced, the gravel paths never held footprints, and no matter how early Owen arrived he always found the flowers already there waiting. He started keeping notes. He started researching Carl Merritt through old town records and newspaper archives and what he found made the flowers feel like the least strange part of the whole thing. The case had been closed fast and quietly, a detective named Virgil had retired almost immediately after signing off on it, and Carl's name kept appearing at the edges of stories involving people who had gone missing from two neighboring towns and were never found. Owen should have stopped there. He knew that. But on the morning he finally caught a glimpse of the figure leaving the grave at dawn, standing at the far tree line before the mist swallowed it whole, he understood that stopped was no longer something he was capable of. The way it moved was not right. The way it was gone before he could blink was not right. And when he walked to the grave and found something tucked beneath the flowers that could not exist, something written in a hand he would later match to a dead man's signature, Owen realized that whatever was visiting Carl Merritt's grave was not coming to mourn — it was coming to report.