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We bought in one veteran for this saloon edition. CLAREL L. Known for his exceptional taste for house music, CLAREL brings you some lovely TECH MELODIC HOUSE. “Good music does not have an expiration date” Clarel L Whilst the imprint has leapt from strength-to-strength, Clarel L approach has remained very much his own. Time will change, taste will evolve and herds will flock to see where the history books have led the sacred sound, but the respect Clarel L maintain on the Mauritian circuit appears increasingly fed back into his craft and to the masses that refuse to forget the influence of local progressive great players. Born in the early 80’s, Clarel L is one of the most lauded figures in the Mauritian underground scene with nearly 2 decades on the forefront. His own DJ journey can be traced back in the early 2000’s. Fascinated by pioneering synth-pop and turntables, he was introduced in deejaying by Arnaud Dercy (The Boat People Production) in his ending teenage years. His mentor taught him the art on mixing vinyls. He reasonably made his way to the biggest DJ competition at that time which was the DJ Academy. It was a rite of passage for local deejays .It was the chance to showcase one’s artistic identity to everyone. More than anything, it was a mark of legitimacy. The competition spotlight Clarel’s natural talent behinds the deck. His multi-deck mixing was some of the best in the game, saw him displayed his skills to finish among the Top 10 finalists in the DJ Academy Competition. Deeply influenced by progressive pioneers such as Sasha, Hernan Cattaneo, John Digweed, and by the local legends like Bernard Desmarais(Ramik17), Lebo & Paul PaniK, he kept the spirit of true progressive house alive and showcased the best of the genre hitting the best parties of the island. Clarel L cemented his place in the local underground scene and performed in the best clubs of Mauritius namely El Diablo, AG22, Saxo, Kitsch, Red Cat, Shout and Les Enfants Terribles. With an undeniably techy flavour, the Mauritian-born DJ curated everything from minimal progressive to tech house. With his friends David Rosalie, Pascal De Speville, Yannick Goldsmith, they personified the counter culture of underground music. Joining forces with his best friend David Rosalie who was already a heavyweight in the clubbing scene, it was naturally easy for Clarel L to have back to back sessions. Melding the talents and tastes of the two luminaries, the mix alternates between David Rosalie’s more sensitive minimal touch and Clarel’s exceptional brand of techno. They were not the biggest artists in the eyes of the media or main stage audiences nor were they trying to be. These were the artists tucked away in intimate nightclubs or rave parties, spinning five-hour sets and keeping crowds of zealous devotees dancing through sunrise. These were the DJs holding down the tradition of crate digging, keeping the medium alive while public perception of the art dwindled. Clarel L was one of the first avant gardiste to have played tech house before it got popular. He serves a significant role in the reintroduction of the genre to the next generation of dance music fans. He has shared the decks with international juggernauts such as ATB, Da Hool, Funkagenda, Oxia, Popof, Jaydee, Nathan Coles, Bodyrox, Daley Padley,Kiko,Matt Minimal, Alessandro Spaiani, Tom Hades, Julian Jeweil, Charlotte de Witte, Third Son just to name a few. Through the years, the Mauritian heavyweight has continued to deliver honest, integral and stimulating music no matter what the cultural swell or overnight buzz sound. The fact is, Clarel L managed to become a local icon without sacrificing his vision. FOLLOW HIM : https://www.mixcloud.com/CDope/ / clarell https://pro.beatport.com/artist/cdope... https://www.facebook.com/clarel-l-103... https://www.facebook.com/cdope/?fref=ts Download Link: http://www101.zippyshare.com/v/PKcMKg... REMEMBER TO LIKE, SHARE, COMMENT AND SUBSCRIBE. #INDASALOON