2024 Seung-Chel Lee.이승철.Hanji The past and present.한지 : 과거와 현재 전시.LA한국문화원.DIGITAL CONTENTS -Shin bit скачать в хорошем качестве

2024 Seung-Chel Lee.이승철.Hanji The past and present.한지 : 과거와 현재 전시.LA한국문화원.DIGITAL CONTENTS -Shin bit

HanHanji The past and present Curated by Lee Seung Chul August 29 - September 20, 2024 Opening reception Thursday, August 29, 2024 at 6:00pm @ KCCLA Professor at the Department of Painting, College of Arts, Dongduk Women’s University Former Director of Dongduk Women's University’s Museum and Art Gallery Executive Researcher for Materials of Korean Traditional Art, Kansong Art Museum [Education] 1993 M.F.A., Department of Oriental Painting, College of Fine Arts, Seoul National University (Thesis: Influences of Hanji on the History of Korean Painting) 1988 B.F.A., Department of Oriental Painting, College of Fine Arts, Seoul National University [International Solo Exhibitions & Conference] 2024. Hanji: The Past and Present, Korean Cultural Center, Los Angeles, California, USA 2024. I am a Korean Painter: Seung-Chul Lee’s Hanji, Natural Colors and Installations, Korean Cultural Center, Budapest, Hungary 2023. Hanji and Bojagi, Korean Cultural Center, Vienna, Austria 2023. Nella Vita Hanji, Korean Cultural Center, Rome, Italy 2019. Seonjam, Silk and the Unique Colors of Korea, Seongbuk Seonjam Museum, Seoul, South Korea 2018. Tissue & Bojagi, Atelier Gustave, Paris, France 2018. Mystery of Color- A Comparison of East and West, Presentation, Vatican Museum,Vatican City, Italy (In Collaboration with Italy Korean Cultural Center and ICPAL) 2018. Digital Hanji Exhibition, Dongduk Art Gallery, Seoul, South Korea 2017. Un Papier d’Hier pour Demain, Presentation, International Conference, Louvre Museum, Paris, France 2016. Tissue and Bojagi, Paris International Arts Community, Cité Internationale des Arts, Paris, France (In Commemoration of the 130th Anniversary of Diplomatic Relations between Korea and France) 2016. Paper, Color and Nature, Gong Art Space, Seoul, South Korea 2016. Vernissage, Galerie 89, Paris, France 2015. White Echo, Museum SAN, Wonju, South Korea 2014. Glendale Comfort Women’s Day, Installation Art, Alex Theater, Glendale, California, USA 2012. The Third Language, Gong Art Space, Seoul, South Korea 2012. Adhesion Paradox, Artgate Gallery, Manhattan, New York, USA 2010. Paper Bojagi, Artgate Gallery, Manhattan, New York, USA 2010. Paper Bojagi, Los Angeles Convention Center, California, USA 2009. Transformation of Material Aesthetics into Freedom, Artgate Gallery, Manhattan, New York, USA 2008. Transformation of Material Aesthetics into Freedom, Amelie Art Gallery, Beijing, China 2008. Paper Bojagi Scenery, Gwangdaehoe Exhibition, ARTEXIT, Shanghai, China 2007. Invitational Exhibition, Jang Eun-Sun Gallery, Seoul, South Korea 2007. Gallery Opening Invitational Exhibition, Artgate Gallery, Manhattan, New York, USA 2005. Installation Art, KSCS, COEX, Seoul, South Korea 2004. Colors of Korea... Bojagi, KSCS, COEX Pacific Hall, Seoul, South Korea 2004. Naked Woman in Ink, Yuna Gallery, Nagoya, Japan 2004. Paper, Dongsanbang Gallery, Seoul, South Korea 2003. Gallery Opening Invitational Exhibition, Yuna Gallery, Nagoya, Japan 2002. Installation Art, Dongduk Art Gallery, Seoul, South Korea 2001. Invitational Exhibition, Hyundai Arts Center, Ulsan, South Korea 2000. Invitational Exhibition, Hakgojae Gallery, Seoul, South Korea 1998. Ink Painting, Dongduk Art Gallery, Seoul, South Korea -42 Solo Exhibitions & Over 100 Group Exhibitions [Book Publications] 2021. Book Collection, Art Gate 2015. Korea’s Natural Dyeing, Gyeolgate 2014. Jingyeong Culture: The Brilliant Flower of Our Culture, Hyeon-Amsa 2014. Book Collection, Gyeolgate 2012. Hanji,English Edition, Hyeonamsa 2012. The Third Language, Dall 2012. Muk, Gyeol 2003. Natural Dyeing with Mom, Yedam 2002. Our Hanji, Hyeon-amsa 2001. The Natural Dye, Hakgojae 2001. Papermaking, Hakgojae 동덕여자대학교 예술대학 회화과 교수 전 동덕여자대학교 박물관&미술관 관장/간송미술관 상임연구원 [학력] 1993. 서울대학교 미술대학 동양화과 석사 졸업. 논문: 한지가 한국사에 끼친 영향 1988. 서울대학교 미술대학 동양화과 학사 졸업 “I want to show that all artistic expressions do not start from something new, but can change within history and tradition.” From artist Seung-chul Lee's artist's notes... “모든 미술 표현이 새로운 어떤 것에서 출발 하는 것이 아니라, 역사와 전통 안에서 새로이 변모할 수 있다는 것을 보여주고자 한다.” 이승철 작가의 작가 노트 중에서... Digital Contents : Artgate Aone Shin Bit