Prince - The Undertaker Pt. 1 1994 скачать в хорошем качестве

Prince - The Undertaker Pt. 1 1994

This recording was made in a continuous single live-in-the-studio pass in collaboration with NPG drummer Michael Bland and bassist Sonny T.. Prince originally intended to give this live CD away free with 1,000 copies of Guitar Player magazine in 1994 (uploading an original The Undertaker CD to iTunes, shows the year 1995 as the year the CD was "released"), but he was reportedly barred by Warner Bros. from doing so. Copies were leaked and bootlegged. The songs were guitar-heavy versions of rock and blues numbers, including a cover of The Rolling Stones' "Honky Tonk Women" and new recording of "Bambi" (originally from 1979's Prince). The title track was a cover of a song previously given to Mavis Staples, while "The Ride", "Zannalee", and "Dolphin" would all be re-recorded future releases. A video recording of the performance was released in Europe (on VHS and Laserdisc) with small edits throughout the performance and "Dolphin" replaced by the audio track from the official video of the song from The Gold Experience. Track listing "The Ride" – 10:54 "Poor Goo" – 4:26 "Honky Tonk Women" – 3:00 "Bambi" – 4:49 "Zannalee (Prelude)" - 0:44 "The Undertaker" – 9:50 "Dolphin" – 3:40 By Scififilmnerd: The making of The Undertaker Having just wrapped up work on the Come album in late May 1993, prince conceived the idea of doing a different kind of album, using just drummer Michael Bland and bassist Sonny Thompson as he had done for the original Come session, 2 January 1993. It would be the first music to actually be recorded by prince, just a week after the name-change from Prince. Nicknamed The Paisley Park Power Trio, the three of them set up together on the soundstage at Paisley Park 14 June 1993, their amps cranked up full, and did some bluesy jamming. The result was an album called The Undertaker. “Picture this,” Michael Bland told Guitar World in 1994: “A DAT machine, a 32-channel board, two techs and three players. It was about three o’clock in the morning. We got our sounds together and just let the DAT roll. We took about an hour to make that record, from start to finish, playing straight through with no overdubs. The sequence of songs on the record is exactly the way we played it. The guitar segues from one song to the next, like when we do live stuff." “He tends to really start opening up and playing a lot of different things when me and Michael do a trio thing with him,” added Sonny Thompson. “There’s no keyboards there – no nothing. So he can venture out and play what he wants to play.”