Sony FS7 Initial Impressions or Why We Shoot In CINE EI SLOG 3 скачать в хорошем качестве

Sony FS7 Initial Impressions or Why We Shoot In CINE EI SLOG 3

After more than two months of shooting test footage and researching this camera, we have finally settled on CINE EI SLOG 3 as being are primary setting in which to shoot. The other top contenders were CINE EI SLOG 2, CUSTOM MODE HG8 and HG7. Like all cameras, the FS7 is not without its quirks and limitations. However, if you understand the limitations, then you are truly free to do whatever you want with this camera. On almost every forum related to this camera, the mantra is "Shoot some test footage and decide for yourself. " Or in other words, there are some generally accepted rules and guidelines, but in the end, it is going to come down to your preferences and what works for you. The main issue with this camera is noise and how to mitigate that. Once you understand how to get the best signal to noise ratio, not unlike audio recording principles, you can begin using this camera to its full potential, which is a lot. Contrary to what others might have said, this is not necessarily a run and gun camera. You have to take into account, as you should, how to get a proper exposure and be aware of managing shadows and highlights. The FS7 is a great camera, but it does require practice and study to master. If someone is making it seem easy, it is only because they have a lot of experience with it. We will check back in soon with some sample footage in the next month or two.