Practical Advice for an Impressionist Painter -459 скачать в хорошем качестве

Practical Advice for an Impressionist Painter -459

This addresses some of the keys to survival in a Boston School impressionist mindset by - among other things - focusing on doing one thing at a time adequately while always maintaining the unity of the big impression on the canvas. QUESTION: Painting has been killing me recently, I'm getting too stuck in my own head. Intellectually I know to keep things flat or general and to think about the overarching impression of light, concerned with painting things as if they were emerging from the fog, etc etc… But its all easier said than done, and can be quite overwhelming, especially when you talk about painting "all the horses at once", even though the ideas on their own are quite simple really. Do you have any advice for getting out of your head as it were, not overthinking things, staying calm and collected during painting? Is it a simple case of just doing it a lot (like how Benson says "You haven't painted enough to know what flatness is," or is there more you can say? Liam studio.ingbretson.com