《竹籬笆外的春天》數位修復預告片 “The Spring Outside of the Fence” digitally remastered Trailer скачать в хорошем качестве

《竹籬笆外的春天》數位修復預告片 “The Spring Outside of the Fence” digitally remastered Trailer

女性情誼經典・#李祐寧 導演代表作 #鍾楚紅 Ｘ #蘇明明 Ｘ #費翔 Ｘ #林瑞陽 領銜主演 1985｜110min｜Color｜Fiction｜Mandarin｜2K Restoration 叛逆奔放的李琳和文靜害羞的吳愛華，兩人從小在眷村長大，是彼此最好的朋友，卻同時愛上青梅竹馬的飛行員何剛。但何剛出勤墜機粉碎了兩個女孩的夢，眷村成了傷心地，他們先後跑到台北當吧女與會計，靠著自越南來台休假的美國大兵賺取生計。相依為命的兩個女孩在俱樂部與美國飛行教官麥可重逢，麥可熱烈追求李琳，但李琳難以忘懷已故的何剛，拒絕了麥可的求婚。不同方向的兩名女孩，繞了一圈又回到童年眷村竹籬笆內的大家庭，回憶往日情誼。 本片強調對文化記憶的捕捉，諸如片中60年代晚期存在主義文學與劇作，美國流行文化、電影，眷村露天戲曲電影的中國元素，再到70年代臺灣退出聯合國，美軍撤退，俱樂部改播日本歌等。本片因有港星鍾楚紅擔任女主角，當年票房不俗，然而更值得我們注意的是，80年代臺灣黨國政權因外交連連挫敗，國內亦有民主運動等浪潮四起所引發的「國家認同」問題，所採取的內宣策略。尤其是在新電影之後的國片浪潮中，不乏可見關注成長寫實與官方主旋律合流的混血產物，片中涉及歷史與身分的掙扎，是觀察解嚴前政治如何影響電影的途徑之一。 The rebellious and free-spirited Li Lin and the introverted Wu Ai-hua are best friends who grow up together in the military dependents’ village. However, they both fall in love with pilot He Kang, their mutual childhood friend. After He Kang is killed in a crash, the village only reminds the heartbroken girls of the tragedy. They escape to Taipei and work as hostess and accountant, earning a living from American soldiers on leave from Vietnam. The girls reunite with Michael, an American flight instructor, at the club. Michael ardently pursues Li Lin, but struggling to forget He Kang, Li Lin rejects Michael’s proposal. Having taken different paths, the two girls eventually return to their childhood village, reminiscing about the bonds of the past. This film emphasizes the capture of cultural memory, ranging from the existentialist literature and plays, American pop culture and cinema, to the infusion of Chinese elements in the outdoor opera films performed in the military dependents' village in the late 60s. It also delves into the 70s, when Taiwan withdrew from the United Nations, the U.S. military withdrew from the island, and clubs transitioned to playing Japanese songs. While Hong Kong star Cherie Chung's leading role enhanced the film's box office earnings, even more significant is how the film reflects the propaganda tactics employed by Taiwan's authoritarian regime in the 1980s. This strategy emerged in the wake of a series of diplomatic setbacks and the rise of democratic movements that raised questions about "national identity". Especially in the wave of Taiwanese cinema that followed the New Cinema movement, hybrid productions integrating themes of growth realism with official narratives became prevalent. The film's exploration of historical and identity struggles provides a unique window into how the pre-democracy era's politics influenced cinema. 👭2024 館慶 #世界首映・免費索票： 3.29 (五) 19:00 大影格 ☆ 主創映前出席 免費索票 ► 開演前1小時至一樓售票櫃檯索票，每人限索2張，索完為止。 館慶活動詳情► https://reurl.cc/rrVZ3y