Bach Suite No.1 in G major, BWV 1007 | Artem Poludennyi, cello скачать в хорошем качестве

Bach Suite No.1 in G major, BWV 1007 | Artem Poludennyi, cello

Johann Sebastian Bach (1685–1750) - Suite No.1 in G major, BWV 1007 Artem Poludennyi, cello.( 1989) I. Prelude - 0:00 II. Allemande - 00:02:44 III. Courante - 00:05:42 IV. Sarabande - 00:07:47 V. Menuet I/II - 00:10:18 VI. Gigue - 00:13:15 ~~~ The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass). An exact chronology of the suites (regarding both the order in which the suites were composed and whether they were composed before or after the solo violin sonatas) cannot be completely established. Scholars generally believe that—based on a comparative analysis of the styles of the sets of works—the cello suites arose first, effectively dating the suites earlier than 1720, the year on the title page of Bach's autograph of the violin sonatas.[citation needed] The suites were not widely known before the early 20th century.[6] It was Pablo Casals who first began to popularize the suites, after discovering Friedrich Grützmacher's edition in a thrift shop in Barcelona in 1889 when he was 13. Although Casals performed the suites publicly, it was not until 1936, when he was 60 years old, that he agreed to record them, beginning with Suites Nos. 2 and 3, at Abbey Road Studios in London. The other four were recorded in Paris: 1 and 6 in June 1938, and 4 and 5 in June 1939. Casals became the first to record all six suites; his recordings are still available and respected today.[7] In 2019, the Casals recording was selected by the Library of Congress for preservation in the National Recording Registry as "culturally, historically, or aesthetically significant".[8] The suites have since been performed and recorded by many cellists. Yo-Yo Ma won the 1985 Grammy Award for Best Instrumental Soloist Performance for his album Six Unaccompanied Cello Suites. János Starker won the 1998 Grammy Award for Best Instrumental Soloist Performance for his fifth recording of Six Unaccompanied Cello Suites.