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The Monkees Look Out (Here Comes Tomorrow)

"Look Out (Here Comes Tomorrow)" written by Neil Diamond, lead vocals Davy Jones "Look Out (Here Comes Tomorrow)" was included on the second album, More of the Monkees. The album was recorded in late 1966 and released on the Colgems label on January 9, 1967. It displaced the band's debut album from the top of the Billboard 200 chart and remained at No.1 for 18 weeks—the longest of any Monkees album. Combined, the first two Monkees albums were at the top of the Billboard chart for 31 consecutive weeks. More of the Monkees also went to No.1 in the UK. In the U.S. it has been certified quintuple platinum. More of the Monkees is also notable for being the first pop/rock album to be the best-selling album of the year in the U.S. Monkee-mania had reached full swing by the time the album was released. The Monkees' second single, "I'm a Believer"—included on the album—held the number one position on the Billboard Hot 100 and they were about to embark on a highly successful concert tour. The release of More of the Monkees was rushed to capitalize on the band's popularity, catching even its members by surprise. The band learned of the album's existence while on tour in Cleveland, Ohio, surprised it had been released without their knowing. They were dismayed by the cover image of them (which was used in an advertisement for JCPenney) and were offended by production overseer Don Kirshner's liner notes, which praised the team of songwriters before mentioning the names of the Monkees. Songwriters on the album included Neil Diamond, Tommy Boyce, Bobby Hart, Carol Bayer Sager, Neil Sedaka, Gerry Goffin, and Carole King. Nesmith was also furious about the songs—selected for the record from 34 that had been recorded—leading him to later tell Melody Maker magazine that More of the Monkees was "probably the worst album in the history of the world". More of the Monkees limited Nesmith to one song as lead vocalist. The group began to grow concerned over their musical output, since this album and their debut, The Monkees, featured them limited to just vocals with scattered instrumental contributions. Within weeks of the release of More of the Monkees, Nesmith lobbied successfully with the group's creators for the Monkees to be allowed to play their instruments on future records, effectively giving the quartet artistic control. To make his point clear to Kirshner, who was balking at the idea, Nesmith proceeded to punch a hole in the wall of a suite at the Beverly Hills Hotel during a group meeting with Kirshner and Colgems lawyer Herb Moelis, declaring to the latter: "That could have been your face!". This outburst came after Moelis snapped to Nesmith, "You'd better read your contract", when Nesmith threatened to quit. -------------------------------- About Our Nostalgic Memories: We all come from different times and places, but there are commonalities, or threads, that bind us and bring us closer to one another. Let us rejoice in the simple days of the past. Our Nostalgic Memories is dedicated to remembering the best of times and the best of people. Be sure to LIKE AND SUBSCRIBE to our channel here on YouTube. You can also find us on Facebook: https://www.facebook.com/OurNostalgicMemories #themonkees #monkees #1960s #1966 #1967 #nostalgia #classicmusic