Tadeusz Szeligowski - Piano Trio (Poznań Piano Trio) скачать в хорошем качестве

Tadeusz Szeligowski - Piano Trio (Poznań Piano Trio)

Tadeusz Szeligowski - Trio fortepianowe Published in 1956 Poznań Piano Trio (Poznańskie Trio Fortepianowe) Violin: Anna Ziółkowska Cello: Monika Baranowska Piano: Laura Kluwak-Sobolewska 0:00 - I. Allegro molto 8:33 - II. Andante patetico 15:04 - III. Allegro vivace Bio Tadeusz Szeligowski (1896-1963) was an outstanding and prolific Polish composer whose works have been seriously neglected. Along with Grażyna Bacewicz, he was somewhat of a representative of neoclassicism and studied with Nadia Boulanger in Paris. As the musical moment started to go beyond romanticism, Szeligowski expressed an interest in the musical innovations that were taking place throughout the early 20th century and declared himself to be an "eternal slave of new music [1]." His music was very modern and showed a great deal of experimentation. Despite this, listenability and accessibility was a concern for Szeligowski, who stated: "A work that is cut off from tradition is a dead child from the moment of conception. [1]" Though, this concession could stem from Szeligowski's involvement in the Socialist Realism movement in Poland (whose goal was the propagation of Socialist Ideology to the masses though accessible artworks with an obvious connections to some positive good of socialism), where he was the head of the Composer's Union from 1951-1954 and was "sympathetic" to party goals in Communist Poland [2]. His opera "Bunt Żaków" (The Scholar's Revolt) was the first Polish opera to be written after 1945 and was considered a model for socialist realism in postwar Poland [2][3]. In spite of claims that his involvement in the Socialist Realism movement necessitated that he seek to stamp out the experimental and "formalist" elements, he later proved instrumental in forming the Poznań Musical Spring (1961), where some of the most cutting-edge innovations were put on display [1]. [1] "Tadeusz Szeligowski. culture.pl Opracowanie: Polskie Centrum Informacji Muzycznej, Związek Kompozytorów Polskich, luty 2004. [2] D. G. Tompkins. Composing the Party Line: Music and Politics in Early Cold War Poland and East Germany. Purdue University Press. 2013. [3] E. Rzanna-Szczepaniak. Metoda realizmu socjalistycznego w operze Bunt żaków Tadeusza Szeligowskiego. Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie. Edukacja Muzyczna No. 13, pp 67-95.