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Read the review: http://bit.ly/EpiphoneEmbassyPro Epiphone has been making instruments for over 140 years, so they’ve certainly had ample time to figure out how to do things right. For the past few decades, the company’s primary focus has been on overseas production and delivering solid instruments with an easy-to-digest price point. Now Epiphone has gone back to their time capsule of U.S.-built instruments to draw inspiration from the classic Embassy solidbody bass, which was introduced in 1963. Blending the best of the original model along with some modern-day design improvements, the new Embassy PRO is a well-executed reissue that keeps budget-minded players in mind. When I first opened the case (which is sold separately), I must say I was a little disappointed to see that Epiphone replaced the awesome batwing headstock from the original model with a two-tuner-per-side version. I’m assuming this was to address the alleged propensity for the vintage models to neck dive. This aside, the bass has a very cool, vintage look. My sadness over the headstock was somewhat alleviated by the fact they retained the super-cool barrel knobs as found on the original. The trio of knobs is configured—from front to back—for volume, blend, and treble roll-off. The big, shiny nickel-silver pickup covers add some nice retro bling, and the body shape definitely nods to the bass’ space-race-era roots. Not only does the claw-style tailpiece look great. I love that it’s designed so you don’t have to pull the whole length of the string through when changing out strings. Continue reading: http://bit.ly/EpiphoneEmbassyPro