Epiphone EJ200 set up скачать в хорошем качестве

Epiphone EJ200 set up

*** Yessss! The Robots have detected that I played 'Heaven' by Bryan Adams and 'Save Me' by Queen! Way to go! I hereby contribute a share of my MASSIVE earnings to both artists/band. I don't mind at all. I love Bryan Adams and more especially Queen. I say it in the video but I'll say it again here: this MIGHT be too low an action for YOUR liking; you might even think it's some sort of crime against acoustic guitars to set such a low action but whatever you think takes second place to what my customer asks me to do. Understand? I don't mind you expressing your surprise / interest / disagreement but do it from a position of curiosity NOT contempt please and the world will be a better place for it. Steve's lovely Epiphone EJ200 came to me with the request to make it play as low and as light as possible; simple as that. So it's worth saying from the outset that for most people this would be a very playable guitar AS-IS. The only criticism I would have is the plastic nut and quite a lot of 'fret slap' on the A and D strings higher up the neck. Steve also wanted some wear grooves in the lower frets removed so a careful fret levelling was in order. These things led me to plan to replace the nut with a Tusq nut, to do a precision levelling to clean up the wear grooves and alleviate or remove the fret slap - and to very slightly lower the action by about 1/4mm. That's a very small adjustment but every little counts, as they say. Despite having bought an Epiphone Tusq nut matched for the string spacing first and foremost I was surprised to find the new one was a fraction of a mm too short. This meant I needed to 'boost' it - so I superglued on some bone and carefully sanded that down until I had the perfect height. In the end, this left an almost transparently-thin layer of bone acting as a shim but it's the best way to do it in my experience. You won't find a suitable material that thin to 'stick on' to the nut. Better to stick on a big piece and sand it right back to perfection. This guitar set up gives a very clear demonstration of how my 'Banana' levelling method removes the fret slap noted on the A and D strings particularly. It's very satisfying to be able to see with your own eyes / ears this slap disappearing, for you as a viewer and for me as a tech (because it tells me that what I'm doing is working) .