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Writer Sumit Arora joins us for a candid online session on language, storytelling, and the evolving voice of Hindi cinema. From the gradual shift toward English in everyday language to the emotional pull of Hindi and regional expression, this conversation dives into how language shapes stories. Sumit also shares practical advice for upcoming writers in terms of craft, consistency, and surviving the chaos of the industry, along with reflections from his journey writing films and shows in Bollywood. Join the Humans of Cinema Film Club - https://www.humansofcinema.com/hocfil... The Humans of Cinema Podcast is a show where we hope to engage in meaningful conversations about films and the impact of cinema with the people who make the movies. Instagram / humansofcinema Facebook / humansofcinema Merch: https://www.franklywearing.com/creato... Website: https://www.humansofcinema.com ........................................................................................ Timestamps : 0:00 - 0:44 - Introduction 0:45 - 1:36 - What is Sumit currently working on? 1:37 - 3:34 - What type of genre is Sumit drawn to as a writer? 3:35 - 4:41 - What kind of tonality does Sumit think in? 4:42 - 7:14 - How does a dialogue writer work with a screenplay writer? 7:15 - 10:06 - The pressure of writing iconic dialogues 10:07 - 11:34 - Writing dialogues for his own scripts VS for other’s scripts 11:35 - 12:00 - What language are Hindi scripts written in? 12:01 - 14:25 - How did Sumit develop an interest in writing? 14:26 - 19:32 - Why are actors in Bollywood struggling with Hindi? 19:33 - 21:03 - Harshit’s weird school memory 21:04 - 23:26 - Sumit’s initial struggle with language isolation 23:27 - 24:33 - Guide for a young writer coming to Mumbai 24:34 - 25:16 - Sumit’s favourite Hindi novels 25:17 - 26:32 - Approaching the rules of screenwriting 26:33 - 27:34 - Was Sumit a cinephile as a young writer? 27:35 - 29:01 - Does watching films affect Sumit’s writing? 29:02 - 31:51 - Decision of moving to Mumbai to pursue writing at 18 31:52 - 34:34 - How to be a disciplined writer? 34:35 - 37:22 - Experience of writing Indian tv shows in his early days 37:23 - 40:16 - Writing dialogues for Stree 40:17 - 44:33 - Writing dialogues for Jawan 44:34 - 46:17 - His work in 83, Chandu Champion and 120 Bahadur 46:18 - 47:08 - Screenwriting books recommendations 47:09 - 48:43 - Does Sumit read other film scripts? 48:44 - 51:38 - Genuine advice for young screenwriters 51:39 - 51:59 - Starting of QnA session 52:00 - 55:46 - Does Sumit think about the ending and plot before starting writing? 55:47 - 58:01 - Does he study the worlds he writes about in film? 58:02 - 59:43 - What makes a good director for the writer