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Reflections on signal to noise loops Stephen Roddy (University College Cork) Presented at the 2nd Symposium on Digital Art in Ireland, University College Cork, June 2024 Download the Abstract from CORA: https://hdl.handle.net/10468/15887 STEPHEN RODDY is a Researcher and Lecturer based at the Radical Humanities Lab and the Department of Digital Humanities at University College Cork. He has a background in sound and music computing holding a Ph.D. in sonification: the use of sound to perceptualize data and convey information. Stephen’s research explores the application of auditory display/sonification, artificial intelligence/machine learning (AI/ML), and internet of things (IoT) techniques in human-computer interaction (HCI) and creative arts contexts. This work is approached primarily through the perspectives of embodied cognitive science and cybernetics and is methodologically grounded in computational, HCI, and practicebased research approaches. Stephen maintains a vibrant and diverse creative arts practice which forms a core component of his research activity. His creative projects span a variety of media and styles, including music composition and performance, generative and data-driven music and art practices, digital art, and sound art. His creative work, described as majestic and sweeping yet beautifully unsettling, is frequently performed and installed at home and abroad. His most recent musical work Leviathan is available through Fiadh Productions. Previous events have included the New York City Electroacoustic Music Festival, IMMA’s Earth Rising Festival, and the Helicotrema Recorded Audio Festival in Venice. The 2nd Symposium on Digital Art in Ireland is a collaboration between Sample-Studios and the Department of Digital Humanities and Future Humanities Institute, University College Cork. #digitalart #samplestudios #digitalhumanities #aiart #symposium