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FIVE HUNDREDTH YEAR AWESOME UNDERGROUND MUSIC REVIEW Here's my review of the indie rock band Five Hundredth Year: In most cases, it is pretty simple to decide right away if a band is something I enjoy, can tolerate, or simply detest. However, when I am asked for my opinion, such quick-draw type judgment won't suffice. Why do I like this band? Why don't I like this band? What is it that they could do to sound more appealing to me? Or What is it that they do differently than the fourteen thousand other bands I've listened to this week that makes me smile and shout, "Yes!" Had this been a band I found on my own, honestly, I would have skipped them. Don't stop reading yet. I would have skipped them because their style isn't what I normally enjoy listening to, not because of any lack of talent or fatal flaw. The band is pushing a cover track "Talking Body," originally performed by Tove Lo and an original called "Blame." Let's talk about that cover first, shall we? The original version is what I would classify as bubble gum pop attempting to be badass, however not accomplishing that. This is a good song, how it is delivered by Tove Lo is substandard and mediocre. It's just "okay" but a great artist could really turn it into a fantastic song. Five Hundredth Year covering this song is different. It's not like they're copying Tove Lo's version, they have made it their own. And I will repeat this until I can no longer utter the words: You will not do a cover song better than the original artist attempting to do it the same way as they did. If you do not make it your own, you will fail, and fail in an epic manner. We will laugh at you. Don't butcher our beloved tunes. Sorry, back to Five Hundredth year. They nailed the chorus. Fucking nailed it. They did the chorus of this song better than Tove Lo could have in an acid enhanced dream,okay? They beat her. FHY, you win. However, I couldn't properly call myself a critic if I didn't tell you the good and the bad, the sometimes harsh opinion more admirably known as mine. The lead vocalist is... well, his vocal chords are the doppelganger of Sully Erna of Godsmack's vocal chords, mkay? That's what I'm hearing. His delivery is okay but it tends to seem lacking a bit when he's in the spotlight. Don't argue with me, I know the lead vocalist is "always in the spotlight." What I'm getting at, is when the drums and guitars and all that magic is hanging back a bit he does not convey as much passion and enthusiasm and sense of belonging as he does when they are at closer to equal levels. Hate me for this, I know you will, but I could just do without the female vocals altogether. I do not feel like they add to any of the songs this lovely, and surely talented lady happens to be lending her pipes on. It does not seem to fit at all to me. It sounds out of place. I'm not bashing her, nor trying to downplay her gift. I'm just saying hers does not fit the sound of this band, in my opinion. I'm not sorry. shields herself from inevitable stones thrown The rest of this written review is here: https://goo.gl/R5nqTC Are you an Indie artist? Check out Rockstars Glued to help promote your music! http://www.rockstarsglued.com/ Five Hundredth Year YouTube: https://goo.gl/EU8LoE Musical Questions Playlist: http://goo.gl/fM0q0c Awesome Underground Music Reviews: http://goo.gl/HMGvmk Musical Questions Playlist: http://goo.gl/fM0q0c Awesome Underground: http://goo.gl/HMGvmk SEND SMOKE SIGNALS HERE: Twitter: https://goo.gl/QK63I8 FB: https://goo.gl/Wlndz6 IG: https://goo.gl/fQtQg6 Blog: https://goo.gl/d3megd Email: [email protected] Actual Mail: P.O. Box 424 Gruetli-Laager, TN 37339 http://thebestmusicydkywm.blogspot.co...