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Dušan Trbojević - Piano 00:00 Allegro Moderato 04:17 Theme and variations 09:29 Allegro non tanto Sonatina for piano (1926), with its prominent historicist and modernist tendencies represents one of the most performed works by Predrag Milošević. The first movement's sonata form consists of three thematic ideas very skilfully developed within an idiomatic instrumental technique. The slow movement rests on a variation form based on the theme “Cvekje cafnalo” extracted form Stevan St. Mokranjac's Song-Wreath (Rukovet in Serbian) no. 12. Recalling the work of Mokranjac—the titan of Serbian music and history—composer Milošević seemingly intended to nest his compositional skills into historical and aesthetic coordinates of Serbian musical canon built around its central player, Stevan Mokranjac. By their order, variations transpire an arch-shaped form, developing from a somewhat calm to a more playful motion, and back to equanimity. The principal, toccata-like processed material of the last movement is countered by a brief, lyrical intermezzo, followed by a fierce coda at the work's end. Pedrag Milošević (1904-1988) was a Serbian Composer. He began his music education at the Music School in Belgrade, and between 1922 and 1924 continued in Munich, and at the Prague State Conservatory. In Prague, he graduated in composition in 1926 with Professor Jaroslav Křička, in piano in 1928 with J. Prohaska, and conducting in 1931 with M. Doležil and P. Dědeček. Sinfonietta (1930) is Milošević's diploma work in the class of Josef Suk and at the same time the first work of this kind in the history of Serbian music. There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.