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Crystar 1940´s Subminiature Camera with a 17,5mm rollfilm Made in Japan During World War II, the Japanese economy experienced a period of low spending capacity due to the war effort and other economic factors. Despite this, many Japanese citizens still found ways to pursue their hobbies and interests, including photography. One popular form of photography during this time was using subminiature cameras, which were small and lightweight cameras that used very little film material. These cameras typically made 14x14mm exposures on narrow paper-backed 17.5mm film, allowing photographers to take a large number of photos without having to worry about the cost of film. Despite the difficult economic conditions during World War II, the popularity of subminiature cameras in Japan demonstrated the enduring interest in photography among the Japanese people, as well as their ability to find creative solutions to the challenges they faced. The CRYSTAR hit-type camera was a unique and inexpensive camera that was manufactured in Japan during the 1940s. It was a novelty camera that was constructed from molded pot-metal and covered with leatherette. The camera was designed with a black face-plate that had the name CRYSTAR imprinted on the top, along with three stars on each side. "MADE IN JAPAN" was also printed on the bottom of the face-plate. One of the defining features of the CRYSTAR camera was its ability to take 14x14mm exposures on narrow paper-backed 17.5mm film. This made it a subminiature camera that was able to produce small, but detailed photographs. The camera was equipped with a fixed focus lens and a simple instantaneous shutter, which made it easy to use for amateur photographers. While the CRYSTAR camera was not a high-end device, it was a popular choice for many photographers due to its affordability and convenience. The camera's small size and lightweight construction also made it a great choice for photographers who were on-the-go or who wanted to take discreet photographs. The Hit camera, manufactured by the Tougodo company based in Toyohashi, Japan, was one of the most successful subminiature cameras of its time. Its popularity was so great that it became synonymous with the entire camera type, at least in the Western world. As a result, many other Japanese cameras with a similar design are often referred to as "Hit"-type cameras. In Japan, these cameras are called "mame kamera" (豆カメラ), which translates to "bean cameras or Baby Camera." This name reflects the small Filmroll size. Although many Japanese cameras had a similar design to Tougodo's Hit, only the cheapest models shared its characteristics. In September 1946, before the release of the Hit, US Camera magazine introduced the American public to the Mycro camera, which was the first such camera to reach the market after 1945. The popularity of these cameras increased when a US soldier returning from Japan offered one to Marlene Dietrich, which generated more publicity. Demand for these cameras from the US grew rapidly, and in Japan, a business model emerged, with 18 manufacturers and about 50 subcontractors involved in producing Hit-type cameras by 1949. That year, sales reached their peak, with 188,500 units exported, generating almost 800 million yen. However, many of these cameras were not seriously considered for picture taking and were instead used as toys or Christmas tree ornaments. Sales of Hit-type cameras were seasonal, with 65,000 units, or approximately one-third of the total, sold in June and July 1949 in anticipation of Christmas. By 1950, the trend for novelty cameras was already declining, with only about 50,000 units exported during the same period of the year. Loading Film 1) Press the Opening Button (A) and open the Back Cover. 2) Draw out Film Holder (B) to insert the Film Cassette. 3) Draw out Film about 2 inches. Turn the winding knob (D) a little to bring the Spring Clip (C) to the center position. 4) Peep the window at the back cover and ascertain if the Film will advance smoothly. Camera is now ready for the first exposure. BE SURE TO HOLD CAMERA STEADY OR PREFERABLY REST THE CAMERA ON PLATFORM. You can get better picture by taking in the sunlight.