Saint-Saëns: Danse macabre, Op. 40 (with Score) скачать в хорошем качестве

Saint-Saëns: Danse macabre, Op. 40 (with Score)

Camille Saint-Saëns: Danse macabre, symphonic poem in G minor, Op. 40 (with Score) Composed: 1874 Violin Solo: Luben Yordanoff Conductor: Daniel Barenboim Orchestra: Orchestre de Paris Composed in 1874 and published in 1875, Danse macabre is the third of Saint-Saëns' four orchestral tone poems and is easily his most popular work in that medium. In his Le carnaval des animaux (The Carnival of the Animals), composed in 1886, Saint-Saëns parodies the Danse macabre, as well as works by other composers. The title of Danse macabre is usually translated as Dance of Death, but Ghoulish Dance or Dance of Grim Humor might better communicate the character of the piece. Saint-Saëns did not originally write the Danse macabre as a work for orchestra. It was first a song for voice and piano that the composer later transcribed and modified for orchestra. A few lines from the song's text will aid in understanding the symphonic poem: "Death at midnight plays a dance-tune/Zig, zig, zig on his violin....Through the gloom, white skeletons pass/Running and leaping in their shrouds....The bones of the dancers are heard to crack." Once the cock crows, signaling the approach of morning, the fun ends. It is possible that this is the first instance of Death being portrayed as a violinist, an instrument generally associated with the devil. After the orchestra strikes midnight, depicted by horns and pizzicato strings, the violin soloist plays as if he/she is tuning his/her instrument before a solo flute performs a bouncy melody, which is answered by the strings. The violin soloist then enters with a lilting waltz tune, played twice and answered first by a brief return of the flute theme, with added percussion, and then the entire orchestra with the waltz theme. The piece thus far has behaved like an exposition, presenting the principal material, while what follows consists of variations on that material. Xylophones playing the flute melody depict skeletons dancing just before a fugal presentation of the waltz begins. A new melody in the woodwinds is based on the Dies irae, a chant melody setting the text of the Judgment Day and often invoked by Romantic-era composers when the subject is death. Eventually, both the flute and waltz tune sound at once in the entire orchestra, just before the violin again begins "tuning." After a huge reprise of the combined melodies, a "cock crow" sounds in the oboe and rapid scales depict the scurrying off of the creatures of the night.