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J. Brahms (1833 - 1897) Selections from the Op. 85 song collection of Johannes Brahms. Performed by Adam M. Janssen on trombone with Rodrigo Ojeda, piano. 1:12 I. Sommerabend. 3:45 III. Mächenlied. 5:15 IV. Ade! 6:30 V. Frühlingslied. Adam M. Janssen, trombone 13 February 2013, 8:00pm Kresge Recital Hall College of Fine Arts Carnegie Mellon University When Johannes Brahms was only twenty years old, composer Robert Schumann published an article proclaiming the youngster's talent, citing him as an "heir to Ludwig van Beethoven." This subsequently placed an enormous amount of pressure on Brahms and his music, as he was constantly comparing himself to the great Beethoven, often violently destroying his own music out of frustration; much of his music is lost as a result. He was, in fact, so self-conscious of his music that the First Symphony required over twenty years of work before its fruition (1854 -- 1876). To his cautious relief, the First Symphony was met with monumental approbation. With newfound confidence, he proceeded with the Second Symphony (1877) and two acclaimed Overtures (1880): the Academic Festival and Tragic. Throughout his symphonic writings, he intermittently composed chamber and vocal works that evince his growing maturity. The illustrious songs of Johannes Brahms are favored by musicians and audiences alike for their pure beauty and effortless melodic lines. The Opus 85 (1882) collection draw from poet Heinrich Heine (Nos. 1 - 2), Serbian and Czech folk poems (Nos. 3 - 4, respectively), Emanuel Geibel (No. 5) and Karl Lemcke (No. 6).