Марія Литвиненко-Вольгемут - Лугом іду, коня веду - Ой, сусідко - 1937 Грампласттрест Київ УКРАЇНА скачать в хорошем качестве

Марія Литвиненко-Вольгемут - Лугом іду, коня веду - Ой, сусідко - 1937 Грампласттрест Київ УКРАЇНА

Марія Литвиненко-Вольгемут 00:00 - Лугом іду, коня веду - Maria Lytvynenko-Volgemut 02:40 - Ой сусідко, сусідко - Maria Lytvynenko-Volgemut 1937 Грампласттрест Київ УКРАЇНА Maria Lytvynenko-Volgemut (née Lytvynenko; married name Volgemut; (1 February 1892 – 3 April 1966) was a distinguished opera and chamber singer (lyric-dramatic soprano), dramatic actress, pedagogue, and influential musical figure. She was named People’s Artist (1936) and became a Professor in 1944. Born in Kyiv, she began singing in a church choir at the age of seven, where she learned the foundations of musical notation. By fourteen, she was already performing in amateur dramatic productions. In 1912, she graduated from the Kyiv Music School of the Imperial russian Musical Society (vocal class of M. Alekseyeva-Yunevich) and that same year joined Mykola Sadovsky’s Ukrainian Music and Drama Theatre, while also touring as a concert vocalist. Between 1914 and 1916, she performed at the Theatre of Musical Drama in Petrograd (now St. Petersburg), where Feodor Chaliapin himself heard her and praised her artistry. She later became a soloist of: • the Kyiv Opera and Ballet Theatre (1916–17; 1922–23; 1935–53), • the Ukrainian Music Drama Theatre in Kyiv (1919, co-founding it alongside Les Kurbas, Anatol Petrytskyi, Yakiv Stepovyi and others), • the First Labor Cooperative of Ukrainian Artists in Vinnytsia (1920–22), which she organized with her husband, conductor Heorhii Volgemut, • the Kharkiv Opera and Ballet Theatre (1923–35). She also performed in productions of the Ukrainian National Theatre and the Dnipropetrovsk Workers’ Opera, touring many cities including Poltava, Kryvyi Rih, Sumy, and Kremenchuk. Artistry Lytvynenko-Volgemut possessed a richly colored voice of remarkable range, singing roles for lyric, dramatic, and mezzo-soprano. Critics praised her exceptional purity of intonation, natural vocal line, flawless technique, and sculpted phrasing. She created over 70 roles across diverse styles, national traditions, and historical periods — many of which she performed for the first time on the Ukrainian stage. Her iconic Ukrainian operatic roles included: Kateryna, Oksana, Odarka, Natalka, Terpylykha, Nastia, Didona, Pannochka, Myroslava, Hanna, Varvara, among many others. She also excelled in major world opera roles such as Aida, Amelia, Tosca, Turandot, Lisa, Yaroslava, Kupava, Ortrud, Elsa, Santuzza, Halka, and Mařenka. Her repertoire extended further to operettas, dramatic musical roles, over 300 Ukrainian folk songs, Russian romances, Western European classics, and songs in French, Georgian, Armenian, Neapolitan and other traditions. She toured widely across Europe — in Germany (Frankfurt, Berlin, Leipzig, Munich, Hamburg), Austria, and Yugoslavia. She recorded opera arias by Hulak-Artemovsky, Vakhnianyn, Lysenko, Tchaikovsky, and numerous Ukrainian folk songs. Pedagogical and cultural legacy She taught at the Vinnytsia People’s Conservatory (1920–22), trained young singers in Kharkiv throughout the 1930s, and from 1944 to 1964 was a professor at the Kyiv Conservatory (today the National Music Academy of Ukraine). Continuing the traditions of her teacher Alekseyeva-Yunevich, she founded her own distinguished vocal school. Her students became celebrated opera soloists and vocal pedagogues in Ukraine, russia, and Moldova. She also performed the role of Odarka in the 1953 film adaptation of Zaporozhets za Dunaiem and voiced the role of Natalka in the 1936 film Natalka Poltavka. She authored over 70 publications on vocal technique, music culture, wartime reflections, and autobiographical notes. She died in Kyiv and is buried at Baikove Cemetery. In 1967, a street in Kyiv was named in her honor; in 1977, a memorial plaque was placed on her former residence. Her portraits were created by painters and sculptors including Oleksii Shovkunenko and Ivan Kavaleridze. Лугом iду, коня веду українська народна пiсня, обр. С. Шварца Нар. арт. Союзу РСР М. I. Лiтвиненко-Вольгемут Симфонічний ансамбль студентiв Киiвської державної консерваторії пiд кер. О.А. Сандлера укр 124 Title Name: I'm on the way with horse Language(s) or Ethnics: ukrainian Catalog category: Soprano with orchestra Genre (Music Category): Song Artist(s): Maria Litvinenko-Wohlgemut Arranger: S. Schwartz Accompaniment Type: Orchestra Recording Place: Kyiv Recording Date: 1937 Speed of transfer: 78 rpm Record size: 25 cm Ой, сусiдко, сусiдко українська народна пiсня, обр. О.Зноско-Боровського Нар. арт. Союзу РСР М. I. Лiтвиненко-Вольгемут Симфонічний ансамбль студентiв Киiвської державної консерваторії пiд кер. О.А. Сандлера укр 124 Title Name: Oh, neighbour, neighbour Language(s) or Ethnics: ukrainian Catalog category: Soprano with orchestra Artist(s): Maria Litvinenko-Wohlgemut Arranger: Alexander Znosko-Borovsky Accompaniment Type: Orchestra Recording Place: Kyiv Recording Date: 1937 Speed of transfer: 78 rpm Record size: 25 cm #ukrainianrecords