Fernand Leger 費爾南德·萊格 (1881–1955) Tubism Cubism French скачать в хорошем качестве

Fernand Leger 費爾南德·萊格 (1881–1955) Tubism Cubism French

tonykwk39@gmail.com Fernand Leger費爾南德·萊格 (1881–1955)FrenchFrench painter Fernand Leger created the abstract painting series "Contrast of Forms." His work blended elements of Cubism with his own unique style, "tubism." “The concept of abstract painting is not a passing abstraction, good only for a few initiates', [but] the total expression of a new generation whose necessities it experiences and to all of whose aspirations it constitutes a response.” —Fernand Leger With his father's approval, Leger enrolled in architecture school and accepted an apprenticeship under an architect in Caen. In 1901, upon completion of his two-year internship, Leger moved to Paris, France, where he worked as an architectural draftsman. Wishing to further pursue his art education, Leger applied to the prestigious École des Beaux-Arts and was unfortunately rejected.In 1903 he stated attending the Paris School of Decorative Arts instead, while also being unofficially mentored by two École des Beaux-Arts professors who recognized his potential. Up until this point, Leger's painting style blended Impressionism with Fauvism. In 1907 he attended a retrospective of Paul Cezanne's work. From then on, Leger's work took on more elements of Cubism, but with his own unique style of slicing forms into tubular cylinders, casually referred to as "tubism." In 1913, he started a series of abstract paintings called "Contrast of Forms." A year later, he put his art career on hold to serve in the French army during World War I. In 1916, he was gassed at Verdun. Having incurred a head injury, he was sent home and hospitalized until 1917. After the war, Leger continued to paint but also tried his hand at other mediums, including book illustrations and set and costume designs for the theater. In 1924, Leger ventured to make his first film, Ballet Mecanique. That same year, he opened his own school of modern art. As Leger's work matured in the 1920s and '30s, he increasingly incorporated elements of modernism—particularly representations of machinery and human figures expressing speed and movement. His notable paintings from this period include "The Mechanic," "Mona Lisa with Keys," "Adam and Eve," and "Composition with Two Parrots," among others. With the arrival of World War II, in 1940, Leger temporarily relocated to America. During this time, he produced a series of paintings called "Divers," noted for its unique use of large patches of color that overlapped outlines to portrayed stylized figures of swimmers diving off docks in Marseille. This series was followed by two others also portraying human figures in motion: "Acrobats" and "Cyclists." In 1946, Leger went back to France, where he revitalized his art school and became active in the Communist Party. In the 1950s, Leger's work focused on the theme of the common man, and further expanded to include tapestry, pottery, stained glass and mosaics. Leger died on August 17, 1955, in Gif-sur-Yvette, France. Fernand Leger was born on February 4, 1881, in Argentan, France. In 1913, he started a series of abstract paintings called "Contrast of Forms." He ventured to make his first film in 1924. By the 1930s, he had increasingly incorporated elements of modernism in his work. During the 1940s, he produced a series of paintings called "Divers." Fernand Leger died on August 17, 1955, in Gif-sur-Yvette, France. Fernand Leger was born to a peasant family in the rural town of Argentan, France, on February 4, 1881. Leger's father was a cattle dealer who hoped his son would follow in his footsteps and choose what he deemed a practical trade. Although Leger was initially discouraged from becoming an artist, his father became supportive once he recognized Leger's gift for drawing.