Sally Hawkins and Ethan Hawke in a scene from MAudiE (2016) скачать в хорошем качестве

Sally Hawkins and Ethan Hawke in a scene from MAudiE (2016)

"Painting fairies on the wall" Ethan Hawke as Everett Lewis and Sally Hawkins as his live-in housekeeper, Nova Scotia folk artist Maud (Dowley) Lewis, in a short scene from the new Canadian/Irish film MAudiE (2016). Sally Hawkins: Maud Lewis Ethan Hawke: Everett lewis A Film by Aisling Walsh Directed by Aisling Walsh Written by Sherry White Producers Bob Cooper Mary Young Leckie Mary Sexton Susan Mullen Director of Photography Guy Godfree C.S.C. Costume Designer Trysha Bakker Hair Designer Peggy Kyriakidou Set Decorator: Dara Hand Dialect Coaches Carla Meyer Rea Nolan Filmed on location in Newfoundland ‘As played by Sally Hawkins, who taps into the same kind of upbeat energy she brought to her career-launching turn as Poppy in Mike Leigh’s “Happy-Go-Lucky,” Maud impresses not so much for her perseverance — the opening scene demonstrates the enormous effort she must summon to lift brush to canvas — but for her indefatigable optimism. ... ...stuck living with this brusque, grunting ogre of a man (whom [Ethan] Hawke plays with an affected surliness that sounds like Harrison Ford, had he been raised by bears), and all but confined to the tiniest house you’ve ever seen, Maud manages to find happiness.’ - Peter Debruge, VARIETY SEPTEMBER 2, 2016 “If anyone other than [Sally] Hawkins were in this film, it would be very hard to recommend. With her in virtually every scene, it is a lovely, tiny character study.” - Jordan Hoffman, the guardian, 3 September 2016 “...the film spends almost as much time on adorable shots of Everett pushing Maud around town in a wheelbarrow as it does subplots about its heroine’s shocking past.” - David Ehrlich, IndieWire Sep 3, 2016 “A stellar, warmly persuasive starring turn by Sally Hawkins as crippled, self-taught painter Maud Lewis is the raison d’etre of Maudie. ...It’s a very small, intimate piece that operates within a narrow tonal and emotional range, a claustrophobic two-hander most of the way that will appeal almost exclusively to older art house patrons, but it has a shot at carving a profile for itself on the basis of Hawkins’ captivating performance. ...by the time Maud accepts an arrangement to work for a pittance keeping house for Everett (Ethan Hawke, who can’t help but cut an attractive figure despite desperate attempts to the contrary), undeniable palpitations of sympathy have already been felt for the unkempt little lady. Despite her limping gait, gnarled hands, hunched back and haywire hair, she gamely attends a local dance club and puts on a big, welcoming smile to those she meets. ...” - Todd McCarthy, THE Hollywood REPORTER 9/2/2016 ‘“Maudie,” based on the true story of a Canadian folk artist, boasts a powerful, Oscar-worthy performance by Sally Hawkins in the title role, and it’s set in a beautifully scenic corner of Nova Scotia. ... Hawkins brings [Maud] Dowley Lewis, an arthritic folk artist with a can-do spirit, to vivid life in the seemingly effortless way that the talented British actress has with well-drawn roles. ...She is easily one of the best actresses working today, and also perhaps one of the most under-rated. ... [Maud]’s artistic passion and unflagging cheerfulness, despite her worsening rheumatoid arthritis, will resonate with viewers, especially as exquisitely portrayed by the estimable Hawkins. [Aisling] Walsh’s deliberate pacing allows the viewer to get to know the character over the languid course of the film, and Hawkins’ nuanced performance is marked by emotional depth, as well as a convincing physicality. ...’ - Claudia Puig, THE WRAP September 2, 2016