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Understanding the 2022 protests in Iran - through Iranian cinema

I explore how childhood intersects with feminism and women's rights in Iranian cinema, and what it hopefully means for the incredibly brave youth spearheading the 2022 protests in Iran right now. Film can tell us a lot about a society as well as help give emotional context to history and facts, so I hope this is useful for understanding the current situation in Iran - and that it acts as a starting point do more research and help where possible. Please let me know if it was valuable! Here are some places you can donate: https://iranhumanrights.org/ https://www.iranrights.org/donate https://donate.amnestyusa.org/page/11... https://women.ncr-iran.org/donate/ Iranian films featured: Persepolis (Marjane Satrapi) A Separation (Asghar Farhadi) The Day I Became a Woman (Marzieh Meshkini) Ten (Abbas Kiarostami) Children of Heaven (Majid Majidi) The Apple (Samira Makhmalbaf) The White Balloon (Jafar Pahani) Taxi (Jafar Pahani) The Silence (Mohsen Makhmalbaf) Please note: there is a spoiler for A Separation at the end and minor ones for The Day I Became a Woman and Ten (however these aren't really films that can be spoiled...) Quick synthesis of Iranian revolution history: https://www.britannica.com/event/Iran... Good reads about the current situation: https://time.com/6218181/iran-protest... https://www.newyorker.com/news/q-and-...

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