Скачать с ютуб Neal Avron Interview: The Importance of Musicality - Warren Huart: Produce Like A Pro в хорошем качестве

Neal Avron Interview: The Importance of Musicality - Warren Huart: Produce Like A Pro

➡️➡️Learn more about Neal Avron here: https://producelikeapro.com/blog/neal... ➡️➡️Sign up here to get exclusive videos and content http://producelikeapro.com Warren sits down with producer/mixer/engineer Neal Avron (Sara Bareilles, New Found Glory, Linkin Park). They discuss the importance of being musical, Neal's approach to recording/mixing, and his recording studio setup. Neal Avron is an American musician, record producer, mixer, and audio engineer. Working predominately in rock music, Avron began working on records in 1993 and achieved his production breakthrough when he co-produced Everclear’s 1997 album So Much for the Afterglow. Avron went on to produce/mix a string of successful albums from the likes of Switchfoot, New Found Glory, Fall Out Boy, Yellowcard, Weezer, You Me at Six and Anberlin. Avron created headlines in 2010 when he mixed and/or produced each debuting number one album on the Billboard 200 for three consecutive weeks; Disturbed’s Asylum, Sara Bareilles’ Kaleidoscope Heart, and Linkin Park’s A Thousand Suns. Avron later garnered recognition for his production work by receiving a Grammy Award nomination for Sara Bareilles’ single “King of Anything” under the Best Female Pop Vocal Performance category. Avron is noted for having particular recording techniques, believing that pre-production is essential before entering a recording studio. When recording, he prefers to lay down the drums and rhythm guitar first, as opposed to the conventional method of bass guitar and drums. Avron has noted, “Over the years I’ve had issues with recording bass first, especially when someone is hitting the strings really hard. For me it’s difficult to tell whether the bass is in tune, because the fundamental is so low. When laying the rhythm guitars down first, it’s much easier to tell whether the bass is out of tune or not. It also means that the bass has a place to fit.” 1:10 - The sound of a room. 3:35 - Being a musical producer. 11:25 - Committing to Sounds, Limiting Options. 17:00 - Unconventional Drum Miking. 20:10 - Being Genre-less. 26:00 - Mixing Aerosmith. 26:50 - Neal's Studio Setup. 30:15 - if you were up-and-coming, how would you do things?. 34:25 - Room Treatment. 38:00 - Wav Vs. MP3. 41:45 - Being Human. Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.