Connecting I ↔ IV (and The Plagal Cadence) | Chord by Chord Series Ep.5 скачать в хорошем качестве

Connecting I ↔ IV (and The Plagal Cadence) | Chord by Chord Series Ep.5

Harmony clicks when you study it in order. Here’s the free guide: https://drfrommsmusiclab.gumroad.com/... Practice worksheets for this episode: http://drfrommsmusiclab.gumroad.com/l... The I–IV connection is one of the smoothest and most natural motions in tonal music—and it’s the foundation of the plagal cadence. In this episode of the Chord by Chord series, we focus on how I and IV move easily between each other in four voices by keeping the upper voices stepwise and stable. You’ll see why this connection works so well at the beginning, middle, and end of phrases, and how extending this motion led historically to the development of the plagal cadence. We’ll also compare plagal motion with dominant-based cadences, showing how IV–I creates a different kind of closure—one that mirrors V–I, but shifts the musical direction and affect. 🎧 Harmonic Dictation (practice the progressions from this video): 🔗 Introducing the Subdominant (Major):    • Harmonic Dictation #5 – Introducing the Su...   🔗 Introducing the Subdominant (Minor):    • Harmonic Dictation #6 – Introducing the Su...   🔗 Next Episode in the Chord by Chord Series:    • Connecting IV to V without Parallels | Cho...   00:00 Connecting I and IV in four voices 01:22 Origins of the plagal cadence 02:41 Authentic vs. plagal cadences 03:35 The “Amen” cadence and Hallelujah Chorus