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Cheikh Arab Bouyezgarene - Anfas Anfas (Laisse-le, laisse-le). Mandole cover by James. Azul fellawen. Here’s a Kabyle song with some Irish/Celtic vibes to it in a few sections. Interestingly, in the 1920s and 1930s, it’s been said that the Irish tenor banjo (4 strings) found its way to Algeria, eventually being replaced by the 6 string banjo that is still used in Algerian music to this day. Thank you to YouTube user RassBrass for sharing that info about the Irish tenor banjo with me. :) More than one version of this song exists and I enjoyed hearing this version the most, so I decided to play an interpretation of it. Cheikh Arab Bouyezgarene, commonly called Cheikh Aarav, was an Algerian musician from Djemâa-Saharidj, Kabylia, born 27th of May 1917. He spent his childhood in his native village, about thirty kilometers east of Tizi Ouzou. In 1942, he left for Algiers and met El Hadj M'Hamed El Anka, joining his musical group. He immigrated to France in 1946 and met several artists such as Cheikh El Hasnaoui, Slimane Azem, Bahia Farah and Fatma Zohra. In 1950, Cheikh Arab Bouyezgarene published his first song, “Anfas Anfas” themed on the condition of an Algerian immigrant in France. The theme of immigration and exile was a very popular approach by the singers of the time, and his first song achieved unprecedented notoriety; being taken up by many singers to this day. After having interpreted several essential titles and releasing one album, he died on April 2, 1988 and rests in the cemetery of Massy in France.