Nikon Z6 Active D-Lighting & Picture Control Video Test 1 скачать в хорошем качестве

Nikon Z6 Active D-Lighting & Picture Control Video Test 1

1/60th – ƒ8 – ISO100. ND to control for shutter angle. Recorded internally in 4k HQ at 29.98fps in H.264 and exported in H.264 to give a more realistic "video for the web" outcome. The clips were conformed to a 23.98 timeline. Nikkor Z 24-70mm ƒ4 S lens. White balance was set to 5600K. 0:00 Information 0:14 Standard 0:24 Standard with ADL Extra High 0:34 Neutral 0:44 Neutral with ADL Extra High 0:54 Portrait 1:04 Portrait with ADL Extra High 1:14 Flat 1:24 Flat with ADL Extra High 1:34 Portrait* sharpening zeroed 1:44 Portrait* sharpening zeroed with ADL Extra High 1:54 Flat* sharpening zeroed 2:04 Flat* sharpening zeroed with ADL Extra High 2:14 Flat* sharpening zeroed & desaturated 2:24 Flat* sharpening zeroed & desaturated with ADL Extra High 2:34 Neutral* zeroed 2:44 Neutral* zeroed with ADL Extra High Nikon offers a setting called Active D-Lighting (ADL) on its DSLR and Mirrorless cameras. ADL may be of limited utility for stills photographers making pictures saved in raw, however, for video shooters the setting may provide an interesting solution for high contrast scenes. ADL tames highlights while lifting shadows. It can be set to Off, Low, Medium, High, & Extra High. This video is the first in a series of tests to better understand how to best take advantage of ADL when shooting video. ADL Extra High was chosen for this video to help more clearly demonstrate the feature's capabilities, but also to save time. To avoid to a shift in exposure from the movement of the sun, the entire video was shot over 16 minutes early in the afternoon. The Nikon Z6, Z7, and the mark II revisions record video internally at 8bit 4:2:0. No log curve is available when recording internally. Nikon instead makes available a "Flat" picture control for slight greater control in post. While this may sound limiting, the bit rate in 4k sits at around 120-144Mbps and thus, the image quality is still quite nice. When utilizing an Atomos Ninja V or BlackMagic Design Video Assist external recorder, 10bit 4:2:2 N-Log recording is available, along with ProRes Raw and BRaw. This greatly increases cost, weight, fragility, storage and processing requirements. For small camera filmmakers, recording internally presents great advantages, and perhaps more importantly, more fun. In circumstances where a filmmaker would sensibly reach for recording in log to improve dynamic range in tough to shoot scenes, Nikon's Active D-lighting may offer an in-camera solution that may be sufficient if not completely acceptable. In the clips shot with ADL set to Extra High, the exposure clearly shifts. This was confirmed to me on screen by the emergence of a few slight exposure zebras. The highlights though are not unrecoverable, and the recovery process does not seem reverse the gains in the shadows. More importantly shifts in exposure cause slight shifts in color rendition hence the presentation of multiple picture controls so the fellow Nikon filmmaker can better understand the look they will achieve in various Picture Controls. © 2022 John Paul Poritz The beautifully cheesy suburban jazz brunch music: "Ersatz Bossa" by John Deley and the 41 Players courtesy the YouTube Music Library.