Raga Multani | Vidushi Dr. Ashwini Bhide Deshpande скачать в хорошем качестве

Raga Multani | Vidushi Dr. Ashwini Bhide Deshpande

Raga Multani by Dr. Ashwini Bhide-Deshpande. This rendition is the part of Ashwini Bhide-Deshpande – Golden Raga Collection lll, You can find rendition of Raga Gaud Malhar and Kabir Bhajan from the same recording at following links: Raga Gaud Malhar:    • Raga Gaud Malhar | Vidushi Dr. Ashwini Bhi...   Kabir Bhajan:    • Sab Jag Andha | Kabir Bhajan | Vidushi Dr....   00:00 - Vilambit Khayal: Are Mana Kahe 23:56 - Madhyalay Khayal: Re Bhaj Mana Raam Naam 27:13 - Drut Khayal: Nainan Me Aan Ban ______________________________________________________ Raga: Raga Multani Taal: Teen Taal (Vilambit, Madhyalay) Ek Taal (Drut) Composition: Are Mana Kahe Re Bhaj Mana Raam Naam Nainan Me Aan Ban Composer: Traditional Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana Tanpura: Smt. Saniya Kulkarni Tabla: Shree. Bharat Kamat Harmonium: Shree. Arvind Thatte ______________________________________________________ 📝Lyrics: ************ Are Mana Kahe **************** अरे मन काहे को सोच करे । सोच करे कडु जन नही आवे धीरज क्यों ना धरे ॥ ************* Re Bhaja Mana **************** रे भज मन राम नाम हितकारी यही है तिहारो तारन हारो । या जग माही दुख दरीद्र भरो कल की चिंता काहे करो आजको सुमरो ॥ *********** Nainan Me Aan Baan ************ नैनन में आन बान कौनसी परी रे । बार बार सोवत पलक न लागत जित देखूं उत श्यामसी परी रे ॥ ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No copyright owned. These uploads are solely intended for the purpose of sharing this exquisite music, with absolutely no commercial intent. If anyone has concerns or wishes for us to remove them, please contact us at swaralankar07@gmail.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Video Source: Unknown