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For the briefest moment in the early 2010s, Stomp Clap ruled the airwaves. The Lumineers were vying for chart places with Rihanna and Bruno Mars. Mumford & Sons, Of Monsters and Men and Vance Joy too were getting rich off hoedowns, hootenannys and rave ups. And everyone was dressing like they were in There Will Be Blood. It was a millennial-tinged Americana, Obama-era folk-pop, a whole lot of stompin’, clappin’, hootin’ and hollerin’. It was nostalgia for the old times, infused with blinding sincerity, an absolute aversion to irony and an overabundance of percussion. But what were its influences, the vital steps along the way? How did we get to the point where “Ho Hey” was a pop hit? These are the 7 songs that made Stomp Clap Happen. #mumfordandsons #indiefolk #musicdocumentary Fact-checking by Chad Van Wagner. 00:00 Introduction 00:49 O Brother, Where Art Thou? 05:51 Wake Up 11:26 Skinny Love 17:50 Home 23:39 Little Lion Man 28:55 Little Talks 32:43 Ho Hey Soundtrack Luar - Citrine ( / luarbeats ) Jesse Gallagher - The Golden Present Luar - Anchor ( / luarbeats ) You can also follow me here: Bluesky: https://bsky.app/profile/trashtheory.... Facebook: / trashtheoryyt Such Great Heights: The Complete Cultural History of The Indie Rock Explosion by Chris Deville, 2025, St Martin's Press “American high” Michael Ellison, The Guardian, Jun 2001 “O Brother, why art thou so popular?” Staff, BBC News, Feb 2002 “Funeral - Review” David Moore, Pitchfork, Sep 2004 “Arcade Fire: Great Expectations” Keith Cameron, Mojo Magazine, Jun 2005 “Breakout Band Of The Year: Arcade Fire” Caryn Ganz, Spin Magazine, Jan 2006 “One Very, Very Indie Band” Darcy Frey, The New York Times, Mar 2007 “Keep the Faith: The Arcade Fire” Paul Morley, Observer Music Monthly, Mar 2007 “Arcade Fire: The Unforgettable Fire” Nick Hasted, Uncut Magazine, Jan 2008 “Isolation Songs: An Interview with Bon Iver’s Justin Vernon” Jennifer Kelly, PopMatters, Feb 2008 “UP CLOSE & PERSONAL WITH JUSTIN VERNON” John Mulvey, Uncut Magazine, May 2008 “Cabin fever” Laura Barton, The Guardian, May 2008 “Interview - Bon Iver” Tyler Grisham, Pitchfork, May 2008 “The Lamentalist Bon Iver” Steve Kandell, Spin Magazine, Feb 2009 “Up From Below - Review” Paul Thompson, Pitchfork, Jan 2010 “The Almighty Power of Mumford & Sons” Laura Barton, The Guardian, Feb 2010 “We’re An American-ish Band” Michael Odell, Spin Magazine, Jun 2011 “O Brother, Where Art Thou? - Interview” David Wild, Huffington Post, Aug 2011 “God, Beer & Banjos: Mumford & Sons Take America” Josh Eells, Rolling Stone, Aug 2011 “Discovery: Of Monsters and Men” Ilana Kaplan, Interview Magazine, Jan 2012 “Buzz Buzz Buzz” Emily Zelmer, Billboard, Jan 2012 “Meet Of Monsters and Men” Brian Mansfield, USA Today, Mar 2012 “Song Premiere: Of Monsters and Men, ‘Little Talks’ (Passion Pit Remix)” Steve Baltin, Rolling Stone, Jul 2012 “Of Monsters and Men: 'We found we could bond better by telling each other fairytales'” Kate Mossman, The Guardian, Aug 2012 “Of Monsters And Men Look to ‘Expand’ on Next Album” Steve Baltin, Rolling Stone, Dec 2012 “Edward Sharpe & The Magnetic Zeros: The Authentic Alex Ebert” Shane Ryan, Paste, Jul 2013 “Arcade Fire's Funeral and the Legacy of the "WHOA-OH"” Stuart Berman, Pitchfork, Sep 2014 “Mumford & Sons: 'no one plans for world domination with a banjo'” Neil McCormick, Telegraph, Jul 2015 “The Lumineers: 'You lose the art to a song when it gets chopped up…’” Rob LeDonne, The Guardian, Jun 2016 “How we wrote ‘Ho Hey’ by The Lumineers’ Wesley Schultz” Staff, Songwriting Magazine, Winter 2016 “For Emma, Forever Ago Turns 10” Chris DeVille, Stereogum, Jul 2017 “How Americana Went Mainstream in the 2010s” Jonathan Bernstein, Rolling Stone, Dec 2019 “‘O Brother, Where Art Thou?’ at 20: How the Soundtrack Reinforced a Roots Music Myth” Jonathan Bernstein, Rolling Stone, Dec 2020 “‘There was blood on the piano’: Inside the chaos and grandeur that made Arcade Fire’s Funeral” Mark Beaumont, The Independent, Sep 2024 “Funeral Turns 20” Ian Cohen, Stereogum, Sep 2024 “How O Brother, Where Art Thou? got inspired – then upstaged – by its own soundtrack” Xan Brooks, The Independent, Mar 2025 “How the Lumineers outlived stomp-clap’s biggest hit” Mikael Wood, LA Times, Mar 2025 “Mumford & Sons and the Lumineers Are Done Stompin’” Jonathan Bernstein, Rolling Stone, Mar 2025 “‘It sounds terrible but I listen to it 30 times a day’: how the Lumineers made Ho Hey” Dave Simpson, The Guardian, Mar 2025 ““It’s a sad song, but so many people tell us they had it played at their wedding”: How a dejected indie folk gem became a wedding song staple” Andy Price, Music Radar, Jul 2025 “The Revenge of Millennial Cringe” Kyle Chayka, The New Yorker, Aug 2025 “We Asked Alex Ebert About The Edward Sharpe Discourse And Much More” Chris DeVille, Stereogum, Aug 2025